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Related Music Theory Alchemy

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

The song “Closer” by Nine Inch Nails is predominantly in the key of C minor. The song features a strong emphasis on repetition and minimalism, with the chord progressions mostly consisting of repeated chords within each section. The song has a moody and dark atmosphere, fitting the industrial rock genre.

Chord Progression Analysis (Pre-Chorus 2):
C minor 7 (i7) – C minor 7 (i7) – C minor 7 (i7) – C minor 7 (i7)

Borrowed Chords:
There are no borrowed chords in this specific chord progression.

“I Am The Walrus” by The Beatles is a song that stands out because of its unique chord progressions and thematic material. The chord progression of the pre-chorus is particularly captivating and somehow unusual compared to common pop/rock tunes.

George Benson – Give Me The Night – Pre-Chorus 2

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Chord Progression

Dbmaj7, Bbm7, Db/F, Db/Eb

Chord Progression Analysis

1. Dbmaj7 (I7)
2. Bbm7 (vi7)
3. Db/F (I6)
4. Db/Eb (I7/♭VII)

“`
Dbmaj7 (I7) → Bbm7 (vi7) → Db/F (I6) → Db/Eb (I7/♭VII)
“`

Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord progression: Cmaj7 (I7) → Em7 (iii7) → Dm7/G (ii7/IV) → F/G (V7sus4/I)
2. Earth, Wind & Fire – “After the Love Has Gone”
Chord progression: Fmaj7 (I7) → Dm7 (vi7) → Gm7 (ii7) → C11 (V11)

These songs feature similar smooth harmonic progressions with a mix of jazz, R&B, and pop sensibilities. Like George Benson’s “Give Me The Night,” they utilize extended chords, inversions, and create a sense of forward momentum through diatonic and chromatic movement.

Musical Analysis

The progression begins with a Dbmaj7, it is a major seed and sets the tonal center. Then, it moves to Bbm7, the relative minor; this movement creates a strong sense of forward momentum. The following chord, Db/F, is an inversion of Dbmaj7, with F as the bass note, providing an ascending bass line to drive the progression. Finally, the Db/Eb is an interesting variant of the I chord with a ♭VII (Eb) in the bass, adding tension and expectation before resolving to the following section or repetition.

Overall Analysis

“Give Me The Night” by George Benson is a jazz-fusion piece with a strong R&B and pop influence. The pre-chorus utilizes a smooth harmonic progression, involving the use of common jazz chords and inversions. The progression is primarily diatonic, with a few chromatic alterations, allowing for a sense of tension and resolution that contributes to the overall groove and smooth melody.

Style Analysis

George Benson is well known for his unique fusion of jazz, R&B, and pop elements, making his chord progressions stand out among other artists. The pre-chorus of “Give Me The Night” exemplifies this by blending these genres into a smooth, harmonic, and engaging progression. The use of extended chords and inversions is typical of jazz harmony, while the chord movement and overall progression are reminiscent of R&B and pop music.

Chords in the Pre-Chorus 2 section of Give Me The Night by George Benson are:

Dbmaj7, Bbm7, Db/F, Db/Eb