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Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

Elton John – Your Song – Verse 1

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Chord Progression

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bmadd11/A’, ‘Bmadd11/G#’, ‘G’, ‘D/A’, ‘A’, ‘Asus2’, ‘F#’, ‘Bm’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Asus4’, ‘A’, ‘Asus2’]

Chord Progression Analysis

Here’s the list of chords you provided for Verse 1, with the Roman numeral analysis.

– D (‘I’)
– Gmaj7 (‘IVmaj7’)
– A/C# (‘V6’)
– F#m (‘iii’)
– Bm (‘vi’)
– Bmadd11/A (‘viadd11/5’)
– Bmadd11/G# (‘viadd11/#4’)
– G (‘IV’)
– D/A (‘I/5’)
– A (‘V’)
– Asus2 (‘Vsus2’)
– F# (‘III’)
– Bm (‘vi’)
– D (‘I’)
– Em (‘ii’)
– G (‘IV’)
– A (‘V’)
– Asus4 (‘Vsus4’)
– A (‘V’)
– Asus2 (‘Vsus2’)

Similar Chord Progressions

For similar chord progressions, we could look at these songs –

1. Let it Be – The Beatles: [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]
2. Imagine – John Lennon: [‘C’, ‘Cmaj7’, ‘F’, ‘C/E’, ‘F’, ‘C/E’, ‘F’, ‘C’]

They share similar characteristic traits of augmentation, inversions and stepwise bass movement although they are not exactly identical.

Musical Analysis

The verse progression begins with a relatively straightforward I-IV-V, common in pop and rock music. However, the beauty lies in its creative use of various chord inversions and added note chords. For instance, the use of A/C# (‘V6’) and then transitioning to F#m (‘iii’) results in a smooth stepwise bass movement. Similarly, the use of Bmadd11/A and Bmadd11/G# gives the progression a sophisticated feel.

The ‘III’ chord or F#, is a ‘borrowed chord’ from D major’s parallel minor (D minor). It’s used to create a brief tension that is relieved immediately by moving to Bm (‘vi’) chord.

Overall Analysis

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

Style Analysis

The chord choices in “Your Song” reflect Elton John’s classical influences, yet maintain a pop sensibility. The added note chords and inversions provide an ornate harmonic texture typical of his style and the era in which the song was written. More importantly, the resultant stepwise bass movement and voice leading keep the progression engaging for the listeners.

Chords in the Verse 1 section of Your Song by Elton John are:

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bmadd11/A’, ‘Bmadd11/G#’, ‘G’, ‘D/A’, ‘A’, ‘Asus2’, ‘F#’, ‘Bm’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Asus4’, ‘A’, ‘Asus2’]