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“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

Elton John – Rocket Man – Outro

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Chord Progression

[‘C’, ‘G’, ‘C’, ‘G’]

Chord Progression Analysis

The outro progression: ‘C’ – ‘G’ interpreted with roman numerals in the key of C Major is:
– C Major (I)
– G Major (V)
“`
C Major (‘I’) – G Major (‘V’)
“`

Similar Chord Progressions

The I – V (C – G) progression is commonly found in countless songs across different genres. Some notable examples would be:
– “Let It Be” by The Beatles – Here, the progression is often C – G – Am – F, but the C – G movement is still strongly apparent.
– “Wonderwall” by Oasis – The main progression is Em – G – D – A, but the G – D movement (which is I – V in the key of G Major) is an essential part of the progression.
– “Three Little Birds” by Bob Marley – This song uses the same chords (C – G) but in the progression A – D – E – A, which in A major can be seen as IV – I, similar in concept to the I – V.

These progressions provide the same tonal stability and resolution seen in the Outro of “Rocket Man”.

Musical Analysis

This chord pattern creates a tonal center around the C Major, relying on the strong dominant relationship with G Major (V) to create tension and resolution, which provides a sense of finality to the number. While the earlier sections of the song play upon more complex emotional tones, this coda brings the song to a comfortable and familiar close.

Overall Analysis

“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

Style Analysis

Elton John is known for his sophisticated harmonic language that often involves modulations to different keys and the use of complex, jazzy chords. However, this outro shows a stripped-down, basic approach that relies on the time-tested I-V progression. It keeps the listener grounded after the intricate harmonic journey of the rest of the song.

Chords in the Outro section of Rocket Man by Elton John are:

[‘C’, ‘G’, ‘C’, ‘G’]