Music Theory Alchemy

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“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

“Boulevard of Broken Dreams” by Green Day, released in 2004, is an alt-rock anthem that largely follows a 4-chord progression throughout the song. The key signature of the song is E minor (derived from the root chord), and essentially all chords used in the song are diatonic, meaning they are derived from the scales of the key. The chorus shifts to a progression in C Major. However, it returns to E minor at the end.

Elton John – I Guess Thats Why They Call It The Blues – Chorus

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Chord Progression

[‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘D’, ‘F’, ‘G’, ‘C’, ‘Em’, ‘F’]

Chord Progression Analysis

Here is the chorus chord progression with the full chord names and their corresponding Roman numerals:

“`
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
G Major (V)
A minor (vi)
C Major (I)
F Major (IV)
D Major (II) – Borrowed
F Major (IV)
G Major (V)
C Major (I)
E minor (iii)
F Major (IV)
“`
As seen above, all chords fit into the key of C Major, with the exception of D Major (II), which may be considered a borrowed chord from the parallel key of C minor.

Similar Chord Progressions

Similar chord progressions can be found in many songs by other artists. For example, “The Scientist” by Coldplay follows a similar chord progression in the key of C Major with the regular IV-V-I progression.

“`
Db Major (IV)
Ab Major (I)
Bb minor (ii)
F minor (vi)
Db Major (IV)
Ab Major (I)
Bb minor (ii)
F minor (vi)
“`

Another example can be found in “Let it Be” by The Beatles, with a similar progression and use of a borrowed chord from a parallel key.

“`
C Major (I)
G Major (V)
A minor (vi)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C major (I)
“`

Overall, “I Guess That’s Why They Call It the Blues” demonstrates a masterful use of traditional progressions mixed with interesting borrowed chords to create a deeply emotive and effective chorus.

Musical Analysis

The chorus, starting on the C Major chord, revolves around the I-IV-V, reflecting the standard major key progression. The progression from I-V-IV (C-G-F) gives the song a grounded and satisfying sense of familiarity common among pop and rock music. The use of A minor (vi) introduces a minor tone into the chorus, adding a touch of melancholy. The D Major chord (II) is interesting as this is not directly part of the C Major scale, this borrowed chord adds tension and anticipation, leading back into the F Major.

Overall Analysis

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

Style Analysis

The style of this progression, particularly the use of the IV-V-I and VI-IV-V-I resolution is typical of Elton John’s style. The borrowed II chord creates a touch of blues in the progression, reflecting the song’s title and giving it depth.

Chords in the Chorus section of I Guess Thats Why They Call It The Blues by Elton John are:

[‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘D’, ‘F’, ‘G’, ‘C’, ‘Em’, ‘F’]