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Related Music Theory Alchemy

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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The chorus of Taylor Swift’s “Anti-Hero” utilizes a chord progression that elevates the song’s emotional resonance, serving as a climactic counterpart to the reflective verses. This section combines lush harmonies with straightforward pop sensibilities, creating a poignant and memorable musical moment that aligns with the song’s thematic exploration of self-awareness and complexity.

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

Elton John – I Guess Thats Why They Call It The Blues – Chorus

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Chord Progression

[‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘D’, ‘F’, ‘G’, ‘C’, ‘Em’, ‘F’]

Chord Progression Analysis

Here is the chorus chord progression with the full chord names and their corresponding Roman numerals:

“`
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
G Major (V)
A minor (vi)
C Major (I)
F Major (IV)
D Major (II) – Borrowed
F Major (IV)
G Major (V)
C Major (I)
E minor (iii)
F Major (IV)
“`
As seen above, all chords fit into the key of C Major, with the exception of D Major (II), which may be considered a borrowed chord from the parallel key of C minor.

Similar Chord Progressions

Similar chord progressions can be found in many songs by other artists. For example, “The Scientist” by Coldplay follows a similar chord progression in the key of C Major with the regular IV-V-I progression.

“`
Db Major (IV)
Ab Major (I)
Bb minor (ii)
F minor (vi)
Db Major (IV)
Ab Major (I)
Bb minor (ii)
F minor (vi)
“`

Another example can be found in “Let it Be” by The Beatles, with a similar progression and use of a borrowed chord from a parallel key.

“`
C Major (I)
G Major (V)
A minor (vi)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C major (I)
“`

Overall, “I Guess That’s Why They Call It the Blues” demonstrates a masterful use of traditional progressions mixed with interesting borrowed chords to create a deeply emotive and effective chorus.

Musical Analysis

The chorus, starting on the C Major chord, revolves around the I-IV-V, reflecting the standard major key progression. The progression from I-V-IV (C-G-F) gives the song a grounded and satisfying sense of familiarity common among pop and rock music. The use of A minor (vi) introduces a minor tone into the chorus, adding a touch of melancholy. The D Major chord (II) is interesting as this is not directly part of the C Major scale, this borrowed chord adds tension and anticipation, leading back into the F Major.

Overall Analysis

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

Style Analysis

The style of this progression, particularly the use of the IV-V-I and VI-IV-V-I resolution is typical of Elton John’s style. The borrowed II chord creates a touch of blues in the progression, reflecting the song’s title and giving it depth.

Chords in the Chorus section of I Guess Thats Why They Call It The Blues by Elton John are:

[‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘D’, ‘F’, ‘G’, ‘C’, ‘Em’, ‘F’]