Music Theory Alchemy

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“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

Elton John – I Guess Thats Why They Call It The Blues – Chorus

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Chord Progression

[‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘D’, ‘F’, ‘G’, ‘C’, ‘Em’, ‘F’]

Chord Progression Analysis

Here is the chorus chord progression with the full chord names and their corresponding Roman numerals:

“`
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
G Major (V)
A minor (vi)
C Major (I)
F Major (IV)
D Major (II) – Borrowed
F Major (IV)
G Major (V)
C Major (I)
E minor (iii)
F Major (IV)
“`
As seen above, all chords fit into the key of C Major, with the exception of D Major (II), which may be considered a borrowed chord from the parallel key of C minor.

Similar Chord Progressions

Similar chord progressions can be found in many songs by other artists. For example, “The Scientist” by Coldplay follows a similar chord progression in the key of C Major with the regular IV-V-I progression.

“`
Db Major (IV)
Ab Major (I)
Bb minor (ii)
F minor (vi)
Db Major (IV)
Ab Major (I)
Bb minor (ii)
F minor (vi)
“`

Another example can be found in “Let it Be” by The Beatles, with a similar progression and use of a borrowed chord from a parallel key.

“`
C Major (I)
G Major (V)
A minor (vi)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C major (I)
“`

Overall, “I Guess That’s Why They Call It the Blues” demonstrates a masterful use of traditional progressions mixed with interesting borrowed chords to create a deeply emotive and effective chorus.

Musical Analysis

The chorus, starting on the C Major chord, revolves around the I-IV-V, reflecting the standard major key progression. The progression from I-V-IV (C-G-F) gives the song a grounded and satisfying sense of familiarity common among pop and rock music. The use of A minor (vi) introduces a minor tone into the chorus, adding a touch of melancholy. The D Major chord (II) is interesting as this is not directly part of the C Major scale, this borrowed chord adds tension and anticipation, leading back into the F Major.

Overall Analysis

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

Style Analysis

The style of this progression, particularly the use of the IV-V-I and VI-IV-V-I resolution is typical of Elton John’s style. The borrowed II chord creates a touch of blues in the progression, reflecting the song’s title and giving it depth.

Chords in the Chorus section of I Guess Thats Why They Call It The Blues by Elton John are:

[‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘D’, ‘F’, ‘G’, ‘C’, ‘Em’, ‘F’]