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“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

The chord progression in the chorus of Weezer’s “Buddy Holly” is in the key of A major and has a mix of diatonic and borrowed chords. Overall, it has a distinct and memorable pop-rock feel, with a strong hook and melodic quality. Through its use of secondary dominants, the progression creates tension and release, pushing the harmony forward in a compelling manner.

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

Elton John – Goodbye Yellow Brick Road – Chorus

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Chord Progression

[‘D’, ‘F#7’, ‘G’, ‘D’, ‘B7’, ‘Em’, ‘A’, ‘D’, ‘A’, ‘Bm’, ‘F#’, ‘G’, ‘Bb’, ‘C’, ‘D’, ‘A’, ‘Bm’, ‘Bm7’, ‘G’, ‘A’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A’, ‘D’]

Chord Progression Analysis

Here we will provide a musical analysis of the chord progression in the chorus:

“`
D Major (I)
F# Dominant Seventh (III7)
G Major (IV)
D Major (I)
B Dominant Seventh (VI7)
E Minor (ii)
A Major (V)
D Major (I)
A Major (V)
B Minor (vi)
F# Major (III)
G Major (IV)
B flat Major (‘borrowed chord’ bVI)
C Major (‘borrowed chord’ bVII)
D Major (I)
A Major (V)
B Minor (vi)
B Minor Seventh (vi7)
G Major (IV)
A Major (V)
G Minor (‘borrowed chord’ iv)
C Major (‘borrowed chord’ bVII)
F Major (‘borrowed chord’ bIII)
B flat Major (‘borrowed chord’ bVI)
G Minor (‘borrowed chord’ iv)
A Major (V)
D Major (I)
“`

Similar Chord Progressions

Many songs share similar chord progressions to “Goodbye Yellow Brick Road,” for example, “Let It Be” by The Beatles. The chord progression in its chorus is as follows:

“`
C Major (I)
G Major (V)
A Minor (vi)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
“`

While simpler than John’s song, “Let It Be” similarly employs diatonic and borrowed chords to create tension and resolution in its progression, evoke emotion, and drive the song’s narrative arc.

Musical Analysis

The use of dominant seventh and borrowed chords creates tension and resolution within the progression and drives the emotional trajectory of the song.

Overall Analysis

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

Style Analysis

Elton John’s style is distinct for its blend of pop, rock, and classical influences. In “Goodbye Yellow Brick Road,” these influences manifest in the song’s complex chord progression and lush, emotive melody. The use of borrowed chords is also a hallmark of blues and jazz, evidencing these genres’ influence on John’s style.

Chords in the Chorus section of Goodbye Yellow Brick Road by Elton John are:

[‘D’, ‘F#7’, ‘G’, ‘D’, ‘B7’, ‘Em’, ‘A’, ‘D’, ‘A’, ‘Bm’, ‘F#’, ‘G’, ‘Bb’, ‘C’, ‘D’, ‘A’, ‘Bm’, ‘Bm7’, ‘G’, ‘A’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A’, ‘D’]