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Related Music Theory Alchemy

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

The key of ‘Take Me Home, Country Roads’ is G Major, a common key for pop and country songs which provides a bright and uplifting sound. Throughout the song, only four different chords are used: G, D, Em and C. The progression is repeated consistently, with only the sudden introduction of an F major chord (borrowed from the parallel minor of G) towards the end of the song during a transition phase.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

Elton John – Goodbye Yellow Brick Road – Chorus

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Chord Progression

[‘D’, ‘F#7’, ‘G’, ‘D’, ‘B7’, ‘Em’, ‘A’, ‘D’, ‘A’, ‘Bm’, ‘F#’, ‘G’, ‘Bb’, ‘C’, ‘D’, ‘A’, ‘Bm’, ‘Bm7’, ‘G’, ‘A’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A’, ‘D’]

Chord Progression Analysis

Here we will provide a musical analysis of the chord progression in the chorus:

“`
D Major (I)
F# Dominant Seventh (III7)
G Major (IV)
D Major (I)
B Dominant Seventh (VI7)
E Minor (ii)
A Major (V)
D Major (I)
A Major (V)
B Minor (vi)
F# Major (III)
G Major (IV)
B flat Major (‘borrowed chord’ bVI)
C Major (‘borrowed chord’ bVII)
D Major (I)
A Major (V)
B Minor (vi)
B Minor Seventh (vi7)
G Major (IV)
A Major (V)
G Minor (‘borrowed chord’ iv)
C Major (‘borrowed chord’ bVII)
F Major (‘borrowed chord’ bIII)
B flat Major (‘borrowed chord’ bVI)
G Minor (‘borrowed chord’ iv)
A Major (V)
D Major (I)
“`

Similar Chord Progressions

Many songs share similar chord progressions to “Goodbye Yellow Brick Road,” for example, “Let It Be” by The Beatles. The chord progression in its chorus is as follows:

“`
C Major (I)
G Major (V)
A Minor (vi)
F Major (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major (I)
“`

While simpler than John’s song, “Let It Be” similarly employs diatonic and borrowed chords to create tension and resolution in its progression, evoke emotion, and drive the song’s narrative arc.

Musical Analysis

The use of dominant seventh and borrowed chords creates tension and resolution within the progression and drives the emotional trajectory of the song.

Overall Analysis

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

Style Analysis

Elton John’s style is distinct for its blend of pop, rock, and classical influences. In “Goodbye Yellow Brick Road,” these influences manifest in the song’s complex chord progression and lush, emotive melody. The use of borrowed chords is also a hallmark of blues and jazz, evidencing these genres’ influence on John’s style.

Chords in the Chorus section of Goodbye Yellow Brick Road by Elton John are:

[‘D’, ‘F#7’, ‘G’, ‘D’, ‘B7’, ‘Em’, ‘A’, ‘D’, ‘A’, ‘Bm’, ‘F#’, ‘G’, ‘Bb’, ‘C’, ‘D’, ‘A’, ‘Bm’, ‘Bm7’, ‘G’, ‘A’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A’, ‘D’]