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The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

Daniel Caesar – Get You – Verse 3

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

“`
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
“`
Bm7 (i7)
Gmaj7 (♭VI7)
F#m7 (v7)
E (IV)
A7 (V7/♭VII)
“`

2. John Mayer – “Gravity”
“`
C#m7 (i7)
A7 (♭VI7/V7)
E (V)
B7 (II7)
Aadd9 (IVadd9)
“`

3. Erykah Badu – “On & On”
“`
Em7 (i7)
Am7 (iv7)
Bb (♭V)
Gmaj7 (III7)
“`

Musical Analysis

The progression starts with the vi chord (E minor), moving to the v7 chord (F# minor 7), which enhances the depth and complexity of the harmonic structure. The i chord (B minor) establishes the tonality of the piece, and the V7/♭VII chord (A7) is a borrowed chord from the parallel minor, providing a strong pull to resolve back to the vi chord (Em) and start the cycle again. This “borrowed chord” adds a distinct flavor to the progression.

Overall Analysis

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

Style Analysis

Daniel Caesar’s “Get You” is an example of a contemporary R&B and neo-soul sound. This style is characterized by lush harmonies and the prominent use of smooth, extended chords, with a warm and intimate vibe. The borrowed chords, sevenths, and modal mixture contribute to the rich harmonic texture that is typical of this music genre.

Chords in the Verse 3 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7