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The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

“Boulevard of Broken Dreams” by Green Day is set in the key of E minor, and uses a recurrent sequence of four chords throughout the song: Em, G, D, and A. The prevalence of this progression endows the song with an air of melancholy, aligning with its lyrical themes of loneliness and disillusionment. These four chords create a harmonic loop that reflects the circulative narrative portrayed in the lyrics.

“House of the Rising Sun” by The Animals is a well-known folk song that has been adapted into a blues ballad with a haunting quality. The verse chord progression features a combination of minor and major chords that contribute to its emotional intensity, while also creating a sense of tension and resolution.

Daniel Caesar – Get You – Verse 3

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

“`
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
“`
Bm7 (i7)
Gmaj7 (♭VI7)
F#m7 (v7)
E (IV)
A7 (V7/♭VII)
“`

2. John Mayer – “Gravity”
“`
C#m7 (i7)
A7 (♭VI7/V7)
E (V)
B7 (II7)
Aadd9 (IVadd9)
“`

3. Erykah Badu – “On & On”
“`
Em7 (i7)
Am7 (iv7)
Bb (♭V)
Gmaj7 (III7)
“`

Musical Analysis

The progression starts with the vi chord (E minor), moving to the v7 chord (F# minor 7), which enhances the depth and complexity of the harmonic structure. The i chord (B minor) establishes the tonality of the piece, and the V7/♭VII chord (A7) is a borrowed chord from the parallel minor, providing a strong pull to resolve back to the vi chord (Em) and start the cycle again. This “borrowed chord” adds a distinct flavor to the progression.

Overall Analysis

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

Style Analysis

Daniel Caesar’s “Get You” is an example of a contemporary R&B and neo-soul sound. This style is characterized by lush harmonies and the prominent use of smooth, extended chords, with a warm and intimate vibe. The borrowed chords, sevenths, and modal mixture contribute to the rich harmonic texture that is typical of this music genre.

Chords in the Verse 3 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7