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The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

Daniel Caesar – Get You – Bridge

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Chord Progression

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7

Chord Progression Analysis

E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7), E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7)

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Borrowed Chord: F# minor (ii)
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Similar Chord Progressions

1. “Untitled (How Does It Feel)” by D’Angelo
Chord progression: C minor (i), D minor (ii), G minor (v), F7 (IV7)

2. “Gravity” by John Mayer
Chord progression: G Major (I), A minor (ii), D Major (IV), C Major (V)

3. “Ordinary People” by John Legend
Chord progression: F Major (I), G minor (ii), A minor (iii), G minor (ii), C Major (V)

Note, the chord progressions mentioned above might exhibit similar techniques or complexity, but might not be in the same key as “Get You” by Daniel Caesar. The harmonies, however, are comparable in terms of their musical style and genre.

Musical Analysis

In the given chord progression, the first chord is E minor (i), which serves as the tonic chord in the progression. It is followed by the borrowed chord F# minor (ii) which adds a smooth, jazzy touch to the progression. This chord is borrowed from the parallel E major key. The progression then moves to B minor (v), deviating from a typical diatonic progression where one might expect B major (V). Finally, the A7 (IV7) chords serve to provide a tension that resolves back to the tonic, E minor.

Throughout the progression, the transition between minor chords and the non-diatonic borrowed chord creates an emotive, soulful atmosphere. The rich harmony is further enhanced by the dominant seventh chords.

Overall Analysis

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

Style Analysis

The style of “Get You” is highly reminiscent of R&B and Neo-Soul music. The techniques incorporated in the progressions, such as borrowed chords and the use of non-diatonic chords, are common in these genres. The influence of Jazz can also be heard in the harmonic choices and voicings. Daniel Caesar’s style exhibits a modern interpretation of these influences, combining them seamlessly for a fresh, innovative sound.

Chords in the Bridge section of Get You by Daniel Caesar are:

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7