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Related Music Theory Alchemy

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

Daniel Caesar – Get You – Bridge

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Chord Progression

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7

Chord Progression Analysis

E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7), E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7)

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Borrowed Chord: F# minor (ii)
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Similar Chord Progressions

1. “Untitled (How Does It Feel)” by D’Angelo
Chord progression: C minor (i), D minor (ii), G minor (v), F7 (IV7)

2. “Gravity” by John Mayer
Chord progression: G Major (I), A minor (ii), D Major (IV), C Major (V)

3. “Ordinary People” by John Legend
Chord progression: F Major (I), G minor (ii), A minor (iii), G minor (ii), C Major (V)

Note, the chord progressions mentioned above might exhibit similar techniques or complexity, but might not be in the same key as “Get You” by Daniel Caesar. The harmonies, however, are comparable in terms of their musical style and genre.

Musical Analysis

In the given chord progression, the first chord is E minor (i), which serves as the tonic chord in the progression. It is followed by the borrowed chord F# minor (ii) which adds a smooth, jazzy touch to the progression. This chord is borrowed from the parallel E major key. The progression then moves to B minor (v), deviating from a typical diatonic progression where one might expect B major (V). Finally, the A7 (IV7) chords serve to provide a tension that resolves back to the tonic, E minor.

Throughout the progression, the transition between minor chords and the non-diatonic borrowed chord creates an emotive, soulful atmosphere. The rich harmony is further enhanced by the dominant seventh chords.

Overall Analysis

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

Style Analysis

The style of “Get You” is highly reminiscent of R&B and Neo-Soul music. The techniques incorporated in the progressions, such as borrowed chords and the use of non-diatonic chords, are common in these genres. The influence of Jazz can also be heard in the harmonic choices and voicings. Daniel Caesar’s style exhibits a modern interpretation of these influences, combining them seamlessly for a fresh, innovative sound.

Chords in the Bridge section of Get You by Daniel Caesar are:

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7