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The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

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“Every Day Is Exactly The Same” by Nine Inch Nails has an interesting chord progression, particularly in the bridge, which adopts a distinct pattern of E, A, C, G repeatedly. This song is classified under Industrial Rock and utilizes repetition impressively to create a sense of monotony and frustration, akin to the lyrical theme.

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Daniel Caesar – Get You – Bridge

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Chord Progression

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7

Chord Progression Analysis

E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7), E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7)

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Borrowed Chord: F# minor (ii)
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Similar Chord Progressions

1. “Untitled (How Does It Feel)” by D’Angelo
Chord progression: C minor (i), D minor (ii), G minor (v), F7 (IV7)

2. “Gravity” by John Mayer
Chord progression: G Major (I), A minor (ii), D Major (IV), C Major (V)

3. “Ordinary People” by John Legend
Chord progression: F Major (I), G minor (ii), A minor (iii), G minor (ii), C Major (V)

Note, the chord progressions mentioned above might exhibit similar techniques or complexity, but might not be in the same key as “Get You” by Daniel Caesar. The harmonies, however, are comparable in terms of their musical style and genre.

Musical Analysis

In the given chord progression, the first chord is E minor (i), which serves as the tonic chord in the progression. It is followed by the borrowed chord F# minor (ii) which adds a smooth, jazzy touch to the progression. This chord is borrowed from the parallel E major key. The progression then moves to B minor (v), deviating from a typical diatonic progression where one might expect B major (V). Finally, the A7 (IV7) chords serve to provide a tension that resolves back to the tonic, E minor.

Throughout the progression, the transition between minor chords and the non-diatonic borrowed chord creates an emotive, soulful atmosphere. The rich harmony is further enhanced by the dominant seventh chords.

Overall Analysis

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

Style Analysis

The style of “Get You” is highly reminiscent of R&B and Neo-Soul music. The techniques incorporated in the progressions, such as borrowed chords and the use of non-diatonic chords, are common in these genres. The influence of Jazz can also be heard in the harmonic choices and voicings. Daniel Caesar’s style exhibits a modern interpretation of these influences, combining them seamlessly for a fresh, innovative sound.

Chords in the Bridge section of Get You by Daniel Caesar are:

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7