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Related Music Theory Alchemy

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

Daniel Caesar – Get You – Bridge

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Chord Progression

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7

Chord Progression Analysis

E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7), E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7)

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Borrowed Chord: F# minor (ii)
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Similar Chord Progressions

1. “Untitled (How Does It Feel)” by D’Angelo
Chord progression: C minor (i), D minor (ii), G minor (v), F7 (IV7)

2. “Gravity” by John Mayer
Chord progression: G Major (I), A minor (ii), D Major (IV), C Major (V)

3. “Ordinary People” by John Legend
Chord progression: F Major (I), G minor (ii), A minor (iii), G minor (ii), C Major (V)

Note, the chord progressions mentioned above might exhibit similar techniques or complexity, but might not be in the same key as “Get You” by Daniel Caesar. The harmonies, however, are comparable in terms of their musical style and genre.

Musical Analysis

In the given chord progression, the first chord is E minor (i), which serves as the tonic chord in the progression. It is followed by the borrowed chord F# minor (ii) which adds a smooth, jazzy touch to the progression. This chord is borrowed from the parallel E major key. The progression then moves to B minor (v), deviating from a typical diatonic progression where one might expect B major (V). Finally, the A7 (IV7) chords serve to provide a tension that resolves back to the tonic, E minor.

Throughout the progression, the transition between minor chords and the non-diatonic borrowed chord creates an emotive, soulful atmosphere. The rich harmony is further enhanced by the dominant seventh chords.

Overall Analysis

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

Style Analysis

The style of “Get You” is highly reminiscent of R&B and Neo-Soul music. The techniques incorporated in the progressions, such as borrowed chords and the use of non-diatonic chords, are common in these genres. The influence of Jazz can also be heard in the harmonic choices and voicings. Daniel Caesar’s style exhibits a modern interpretation of these influences, combining them seamlessly for a fresh, innovative sound.

Chords in the Bridge section of Get You by Daniel Caesar are:

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7