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The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

Daniel Caesar – Get You – Bridge

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Chord Progression

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7

Chord Progression Analysis

E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7), E minor (i), F# minor (ii), B minor (v), A7 (IV7), A7 (IV7)

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Borrowed Chord: F# minor (ii)
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Similar Chord Progressions

1. “Untitled (How Does It Feel)” by D’Angelo
Chord progression: C minor (i), D minor (ii), G minor (v), F7 (IV7)

2. “Gravity” by John Mayer
Chord progression: G Major (I), A minor (ii), D Major (IV), C Major (V)

3. “Ordinary People” by John Legend
Chord progression: F Major (I), G minor (ii), A minor (iii), G minor (ii), C Major (V)

Note, the chord progressions mentioned above might exhibit similar techniques or complexity, but might not be in the same key as “Get You” by Daniel Caesar. The harmonies, however, are comparable in terms of their musical style and genre.

Musical Analysis

In the given chord progression, the first chord is E minor (i), which serves as the tonic chord in the progression. It is followed by the borrowed chord F# minor (ii) which adds a smooth, jazzy touch to the progression. This chord is borrowed from the parallel E major key. The progression then moves to B minor (v), deviating from a typical diatonic progression where one might expect B major (V). Finally, the A7 (IV7) chords serve to provide a tension that resolves back to the tonic, E minor.

Throughout the progression, the transition between minor chords and the non-diatonic borrowed chord creates an emotive, soulful atmosphere. The rich harmony is further enhanced by the dominant seventh chords.

Overall Analysis

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

Style Analysis

The style of “Get You” is highly reminiscent of R&B and Neo-Soul music. The techniques incorporated in the progressions, such as borrowed chords and the use of non-diatonic chords, are common in these genres. The influence of Jazz can also be heard in the harmonic choices and voicings. Daniel Caesar’s style exhibits a modern interpretation of these influences, combining them seamlessly for a fresh, innovative sound.

Chords in the Bridge section of Get You by Daniel Caesar are:

Em, F#m, Bm, A7, A7, Em, F#m, Bm, A7, A7