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“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

Coldplay – Viva La Vida – Verse 2

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

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C Major (I)
D Major (‘V/V)
G Major (IV)
E minor (vi)

The progression repeats four times. It is important to denote that D Major is a borrowed chord in this case, functioning as a secondary dominant (‘V/V – dominant of the dominant) to G Major.

**Chord Symbols in Code: (For Borrowed Chord Indication)**

“`
D Major (‘V/V)
“`

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Similar Chord Progressions

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Here are some songs which share similar chord progressions in the genre of pop rock:

1. “Let it Be” by The Beatles: C – G – Am – F (or in terms of Roman numerals: I – V – vi – IV)

2. “No Woman No Cry” by Bob Marley: C – G – Am – F
(I – V – vi – IV)

3. “Don’t Stop Believing” by Journey: E – B – C#m – A
(I – V – vi – IV)

This highlights the fact that the I – V – vi – IV progression (or a variant of it) is something that has been popularly used in many successful songs across genres and decades.

Musical Analysis

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The progression starts with a major tonic chord which gives a sense of stability. The second chord, D major, which is a borrowed chord, adds a bit of suspense, essentially pulling towards the G major chord, creating a resolution. The fourth and last chord, E minor, gives a touch of melancholia to the musical phrase.

The progression itself is quiet dynamic, constantly moving forward and driving the song. Also, the oscillation between major and minor chords brings a good balance of cheerful and more introspective moments.

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Overall Analysis

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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Style Analysis

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Coldplay is known for their uplifting, anthemic style of music and ‘Viva la Vida’ fits into this style perfectly. There is a mix of pop and rock elements, with a catchy, repeating chord progression that drives the song and makes it memorable.

The use of simple and common chord progressions is a hallmark of Coldplay’s music and ‘Viva la Vida’ is no exception. The band often uses simple and repetitive chord progressions as a background for their outstanding melody lines and lyrics.

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Chords in the Verse 2 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]