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The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Coldplay – Viva La Vida – Verse 2

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

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C Major (I)
D Major (‘V/V)
G Major (IV)
E minor (vi)

The progression repeats four times. It is important to denote that D Major is a borrowed chord in this case, functioning as a secondary dominant (‘V/V – dominant of the dominant) to G Major.

**Chord Symbols in Code: (For Borrowed Chord Indication)**

“`
D Major (‘V/V)
“`

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Similar Chord Progressions

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Here are some songs which share similar chord progressions in the genre of pop rock:

1. “Let it Be” by The Beatles: C – G – Am – F (or in terms of Roman numerals: I – V – vi – IV)

2. “No Woman No Cry” by Bob Marley: C – G – Am – F
(I – V – vi – IV)

3. “Don’t Stop Believing” by Journey: E – B – C#m – A
(I – V – vi – IV)

This highlights the fact that the I – V – vi – IV progression (or a variant of it) is something that has been popularly used in many successful songs across genres and decades.

Musical Analysis

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The progression starts with a major tonic chord which gives a sense of stability. The second chord, D major, which is a borrowed chord, adds a bit of suspense, essentially pulling towards the G major chord, creating a resolution. The fourth and last chord, E minor, gives a touch of melancholia to the musical phrase.

The progression itself is quiet dynamic, constantly moving forward and driving the song. Also, the oscillation between major and minor chords brings a good balance of cheerful and more introspective moments.

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Overall Analysis

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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Style Analysis

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Coldplay is known for their uplifting, anthemic style of music and ‘Viva la Vida’ fits into this style perfectly. There is a mix of pop and rock elements, with a catchy, repeating chord progression that drives the song and makes it memorable.

The use of simple and common chord progressions is a hallmark of Coldplay’s music and ‘Viva la Vida’ is no exception. The band often uses simple and repetitive chord progressions as a background for their outstanding melody lines and lyrics.

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Chords in the Verse 2 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]