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Related Music Theory Alchemy

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

Coldplay – Viva La Vida – Verse 1

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

The verse chord progression is as follows:

– C Major (“IV”)
– D Major (“V”)
– G Major (“I”)
– E minor (“vi”)
– C Major (“IV”)
– D Major (“V”)
– G Major (“I”)
– E minor (“vi”)

This progression can be described as a iv-V-I-vi progression, common in many different styles of music.

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Borrowed Chord: None in this progression.
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Similar Chord Progressions

1. In the song “Let It Be” by Beatles, we can find a similar progression in the chorus:
– C Major (“IV”)
– G Major (“I”)
– A minor (“ii”)
– F Major (“V”)

2. The song “Over The Rainbow” by Judy Garland returns to this chord progression fixing on the timeless iv-V-I-vi progression:
– C Major (“I”)
– E minor (“iii”)
– F Major (“IV”)
– D minor (“ii”)

Please note that even though these examples might have same roman numerals progression, the emotion captured by these progressions can be quite different due to the unique incorporation by the composers.

Musical Analysis

In terms of musical analysis, this is a very common and effective progression. It has a comforting, familiar sound due to its extensive use in popular music. The transition from IV to V creates an expectation for resolution which is met when it moves to the I chord, and then it takes a melancholic turn when it falls to vi.

Overall Analysis

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

Style Analysis

It’s interesting to note Coldplay’s style here. They prefer major chords to give uplifting spiritual feeling, supplemented by minor chord for a measured dose of melancholy and a balanced, contrasting feeling. This manifests their signature sound – ambivalent, anthemic, and emotionally resonant.

Chords in the Verse 1 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]