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Related Music Theory Alchemy

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

Coldplay – Viva La Vida – Verse 1

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

The verse chord progression is as follows:

– C Major (“IV”)
– D Major (“V”)
– G Major (“I”)
– E minor (“vi”)
– C Major (“IV”)
– D Major (“V”)
– G Major (“I”)
– E minor (“vi”)

This progression can be described as a iv-V-I-vi progression, common in many different styles of music.

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Borrowed Chord: None in this progression.
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Similar Chord Progressions

1. In the song “Let It Be” by Beatles, we can find a similar progression in the chorus:
– C Major (“IV”)
– G Major (“I”)
– A minor (“ii”)
– F Major (“V”)

2. The song “Over The Rainbow” by Judy Garland returns to this chord progression fixing on the timeless iv-V-I-vi progression:
– C Major (“I”)
– E minor (“iii”)
– F Major (“IV”)
– D minor (“ii”)

Please note that even though these examples might have same roman numerals progression, the emotion captured by these progressions can be quite different due to the unique incorporation by the composers.

Musical Analysis

In terms of musical analysis, this is a very common and effective progression. It has a comforting, familiar sound due to its extensive use in popular music. The transition from IV to V creates an expectation for resolution which is met when it moves to the I chord, and then it takes a melancholic turn when it falls to vi.

Overall Analysis

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

Style Analysis

It’s interesting to note Coldplay’s style here. They prefer major chords to give uplifting spiritual feeling, supplemented by minor chord for a measured dose of melancholy and a balanced, contrasting feeling. This manifests their signature sound – ambivalent, anthemic, and emotionally resonant.

Chords in the Verse 1 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]