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“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“Wicked Game” is a song that sits neatly within the Pop-Rock category and is known for its haunting melody and introspective lyrics. It has a very simple chord progression that affects a moody, melancholic ambience. This type of progression is very common in popular music across all genres due to its simplicity and potential for various melodic and lyrical directions.

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

Chris Isaak – Wicked Game – Verse 3

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

The three chords used in this progression are B minor (Bm), A Major (A), and E Major (E). Here is the breakdown:

– Bm (i)
– A (VII)
– E (IV)

This progression is a good example of modal mixture, also known as modal interchange.

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Borrowed Chord: ‘E Major (IV)’
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Similar Chord Progressions

A similar chord progression can be found in “Zombie” by The Cranberries (Em – C – G – D), Madonna’s “Like a Prayer” (Dm – C – Gm – A) and Lady Gaga’s “Poker Face” (G#m – E – B – F#).

The chord progressions in these songs follow a similar pattern to “Wicked Game,” using a stable home chord, a pivot chord, and a hanging resolution.
The Cranberries’ “Zombie”:
– Em (i)
– C (VI)
– G (III)
– D (VII)

Madonna’s “Like a Prayer”:
– Dm (i)
– C (VII)
– Gm (IV)
– A (VI)

Lady Gaga’s “Poker Face”:
– G#m (i)
– E (V)
– B (III)
– F# (VI)

Musical Analysis

The progression starts off with B minor (Bm), the tonic (i) and stable home chord. The progression then moves to A Major (VII), which is a subtonic major, providing a pivot to an unexpected turn. The progression resolves back to the E Major (E), the subdominant (IV), rather than the anticipated tonic, B minor (Bm). This provides a sense of hanging in mid-air, keeping the listener engaged for the return to the tonic.

Overall Analysis

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

Style Analysis

Chris Isaak’s music often blends elements of rock, pop, and country, often with a late 1950s and early 1960s rock-and-roll influence. “Wicked Game” in particular is characterized by its moody ambiance and atmospheric guitar tones. Harmonically, the borrowed chord (E Major) provides a bit of an unexpected twist, showcasing Isaak’s penchant for infusing his music with emotional tension and release.

Chords in the Verse 3 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]