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“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

Chris Isaak – Wicked Game – Verse 3

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

The three chords used in this progression are B minor (Bm), A Major (A), and E Major (E). Here is the breakdown:

– Bm (i)
– A (VII)
– E (IV)

This progression is a good example of modal mixture, also known as modal interchange.

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Borrowed Chord: ‘E Major (IV)’
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Similar Chord Progressions

A similar chord progression can be found in “Zombie” by The Cranberries (Em – C – G – D), Madonna’s “Like a Prayer” (Dm – C – Gm – A) and Lady Gaga’s “Poker Face” (G#m – E – B – F#).

The chord progressions in these songs follow a similar pattern to “Wicked Game,” using a stable home chord, a pivot chord, and a hanging resolution.
The Cranberries’ “Zombie”:
– Em (i)
– C (VI)
– G (III)
– D (VII)

Madonna’s “Like a Prayer”:
– Dm (i)
– C (VII)
– Gm (IV)
– A (VI)

Lady Gaga’s “Poker Face”:
– G#m (i)
– E (V)
– B (III)
– F# (VI)

Musical Analysis

The progression starts off with B minor (Bm), the tonic (i) and stable home chord. The progression then moves to A Major (VII), which is a subtonic major, providing a pivot to an unexpected turn. The progression resolves back to the E Major (E), the subdominant (IV), rather than the anticipated tonic, B minor (Bm). This provides a sense of hanging in mid-air, keeping the listener engaged for the return to the tonic.

Overall Analysis

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

Style Analysis

Chris Isaak’s music often blends elements of rock, pop, and country, often with a late 1950s and early 1960s rock-and-roll influence. “Wicked Game” in particular is characterized by its moody ambiance and atmospheric guitar tones. Harmonically, the borrowed chord (E Major) provides a bit of an unexpected twist, showcasing Isaak’s penchant for infusing his music with emotional tension and release.

Chords in the Verse 3 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]