Music Theory Alchemy

Search

Related Music Theory Alchemy

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“`plaintext
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
“`

The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

**
“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

**

Chris Isaak – Wicked Game – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

The three chords used in this progression are B minor (Bm), A Major (A), and E Major (E). Here is the breakdown:

– Bm (i)
– A (VII)
– E (IV)

This progression is a good example of modal mixture, also known as modal interchange.

“`
Borrowed Chord: ‘E Major (IV)’
“`

Similar Chord Progressions

A similar chord progression can be found in “Zombie” by The Cranberries (Em – C – G – D), Madonna’s “Like a Prayer” (Dm – C – Gm – A) and Lady Gaga’s “Poker Face” (G#m – E – B – F#).

The chord progressions in these songs follow a similar pattern to “Wicked Game,” using a stable home chord, a pivot chord, and a hanging resolution.
The Cranberries’ “Zombie”:
– Em (i)
– C (VI)
– G (III)
– D (VII)

Madonna’s “Like a Prayer”:
– Dm (i)
– C (VII)
– Gm (IV)
– A (VI)

Lady Gaga’s “Poker Face”:
– G#m (i)
– E (V)
– B (III)
– F# (VI)

Musical Analysis

The progression starts off with B minor (Bm), the tonic (i) and stable home chord. The progression then moves to A Major (VII), which is a subtonic major, providing a pivot to an unexpected turn. The progression resolves back to the E Major (E), the subdominant (IV), rather than the anticipated tonic, B minor (Bm). This provides a sense of hanging in mid-air, keeping the listener engaged for the return to the tonic.

Overall Analysis

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

Style Analysis

Chris Isaak’s music often blends elements of rock, pop, and country, often with a late 1950s and early 1960s rock-and-roll influence. “Wicked Game” in particular is characterized by its moody ambiance and atmospheric guitar tones. Harmonically, the borrowed chord (E Major) provides a bit of an unexpected twist, showcasing Isaak’s penchant for infusing his music with emotional tension and release.

Chords in the Verse 3 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]