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Related Music Theory Alchemy

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

Beck – Think Im In Love – Verse 3

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Chord Progression

F, F, F, F

Chord Progression Analysis

F Major (I)

Similar Chord Progressions

It’s quite rare to find a song with a chord progression that only utilizes one major chord. However, some artists have made use of simplistic and repetitive progressions. One example is The Beatles’ “Tomorrow Never Knows,” which prominently features the C Major (I) chord throughout the song, with occasional use of the B♭ Major (♭VII) as well. Another example is “Wild Thing” by The Troggs, which features a repetitive progression throughout the song: A Major (I), D Major (IV), E Major (V), and D Major (IV) again.

To provide a comprehensive analysis, we would require the complete chord progression from the verse of “Think I’m in Love” by Beck.

Musical Analysis

As mentioned before, the repetition of the F Major (I) chord creates a sense of stability in the progression. However, it lacks any harmonic movement or tension since no other chords are present. This limits the progression’s potential for dynamic or emotional expression.

Overall Analysis

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

Style Analysis

The heavy reliance on a single chord hints at a minimalist or simplistic approach to the piece. This could be found in some folk music or deliberate stylistic choice in a pop song.

Chords in the Verse 3 section of Think Im In Love by Beck are:

F, F, F, F