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Related Music Theory Alchemy

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The verse chord progression in Beck’s “Girl Acoustic” features a bright and uplifting feel, with a mix of major and minor chords. The progression is in the key of A major and showcases a simplicity that is common in pop and folk music.

“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

Beck – Think Im In Love – Chorus

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Chord Progression

Ab, Eb, F, Ab, Eb, F

Chord Progression Analysis

Ab Major (I) – Eb Major (V) – F Major (♭VI) – Ab Major (I) – Eb Major (V) – F Major (♭VI)

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F Major is a borrowed chord from the parallel minor scale (Ab minor) ♭VI
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Similar Chord Progressions

1. The Beatles – “Let It Be”

C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV)

2. The Rolling Stones – “You Can’t Always Get What You Want”

C Major (I) – F Major (IV) – G Major (V) – C Major (I) – F Major (IV) – G Major (V)

In both of these examples, the featured artists also use variations of the I-IV-V chord progression, which is a classic pattern within pop/rock music, but they have their unique twists to make the progression their own.

Musical Analysis

The use of the I-IV-V structure in the progression rooted in Ab major is a very common and familiar musical theme found in many styles of music, particularly in pop and rock music. By substituting the expected V chord (in this case, Eb major) with a borrowed chord (F major) from the parallel minor key, the progression adds a sense of harmonic surprise. This borrowed chord provides a smooth transition back to the I chord (Ab major), despite the harmonic differences, resulting in a pleasing resolution with some unexpected twists.

Overall Analysis

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

Style Analysis

Beck is known for his eclectic style, incorporating various genres and techniques into his music. In “Think I’m In Love,” he seems to be drawing inspiration from 60s-70s pop/rock traditions which frequently used I-IV-V chord progressions. However, as mentioned earlier, the F major chord adds an element of harmonic intrigue that can be attributed to Beck’s creative and distinctive sound.

Chords in the Chorus section of Think Im In Love by Beck are:

Ab, Eb, F, Ab, Eb, F