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The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

“The song When Doves Cry” by Prince features a very distinctive chord progression in its chorus section. Technically the song is written in a minor key, but the progression tends to flow in a way that feels almost like a major key at times. This is a common characteristic of many Prince songs, signifying the unique and innovative style of the artist.

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

Beck – Think Im In Love – Chorus

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Chord Progression

Ab, Eb, F, Ab, Eb, F

Chord Progression Analysis

Ab Major (I) – Eb Major (V) – F Major (♭VI) – Ab Major (I) – Eb Major (V) – F Major (♭VI)

“`
F Major is a borrowed chord from the parallel minor scale (Ab minor) ♭VI
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”

C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV)

2. The Rolling Stones – “You Can’t Always Get What You Want”

C Major (I) – F Major (IV) – G Major (V) – C Major (I) – F Major (IV) – G Major (V)

In both of these examples, the featured artists also use variations of the I-IV-V chord progression, which is a classic pattern within pop/rock music, but they have their unique twists to make the progression their own.

Musical Analysis

The use of the I-IV-V structure in the progression rooted in Ab major is a very common and familiar musical theme found in many styles of music, particularly in pop and rock music. By substituting the expected V chord (in this case, Eb major) with a borrowed chord (F major) from the parallel minor key, the progression adds a sense of harmonic surprise. This borrowed chord provides a smooth transition back to the I chord (Ab major), despite the harmonic differences, resulting in a pleasing resolution with some unexpected twists.

Overall Analysis

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

Style Analysis

Beck is known for his eclectic style, incorporating various genres and techniques into his music. In “Think I’m In Love,” he seems to be drawing inspiration from 60s-70s pop/rock traditions which frequently used I-IV-V chord progressions. However, as mentioned earlier, the F major chord adds an element of harmonic intrigue that can be attributed to Beck’s creative and distinctive sound.

Chords in the Chorus section of Think Im In Love by Beck are:

Ab, Eb, F, Ab, Eb, F