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Related Music Theory Alchemy

The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

Beck – Think Im In Love – Chorus

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Chord Progression

Ab, Eb, F, Ab, Eb, F

Chord Progression Analysis

Ab Major (I) – Eb Major (V) – F Major (♭VI) – Ab Major (I) – Eb Major (V) – F Major (♭VI)

“`
F Major is a borrowed chord from the parallel minor scale (Ab minor) ♭VI
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”

C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV)

2. The Rolling Stones – “You Can’t Always Get What You Want”

C Major (I) – F Major (IV) – G Major (V) – C Major (I) – F Major (IV) – G Major (V)

In both of these examples, the featured artists also use variations of the I-IV-V chord progression, which is a classic pattern within pop/rock music, but they have their unique twists to make the progression their own.

Musical Analysis

The use of the I-IV-V structure in the progression rooted in Ab major is a very common and familiar musical theme found in many styles of music, particularly in pop and rock music. By substituting the expected V chord (in this case, Eb major) with a borrowed chord (F major) from the parallel minor key, the progression adds a sense of harmonic surprise. This borrowed chord provides a smooth transition back to the I chord (Ab major), despite the harmonic differences, resulting in a pleasing resolution with some unexpected twists.

Overall Analysis

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

Style Analysis

Beck is known for his eclectic style, incorporating various genres and techniques into his music. In “Think I’m In Love,” he seems to be drawing inspiration from 60s-70s pop/rock traditions which frequently used I-IV-V chord progressions. However, as mentioned earlier, the F major chord adds an element of harmonic intrigue that can be attributed to Beck’s creative and distinctive sound.

Chords in the Chorus section of Think Im In Love by Beck are:

Ab, Eb, F, Ab, Eb, F