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Related Music Theory Alchemy

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

The chord progression in the chorus of “Paper Tiger” by Beck is an interesting mix of major and minor chords which gives the song a unique and slightly melancholic vibe. While the song is in the key of E major, it contains several chords borrowed from the parallel minor key and features unusual harmonic movement. This creates a sense of tension and release that is characteristic of Beck’s music.

The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.

Beck – Think Im In Love – Chorus

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Chord Progression

Ab, Eb, F, Ab, Eb, F

Chord Progression Analysis

Ab Major (I) – Eb Major (V) – F Major (♭VI) – Ab Major (I) – Eb Major (V) – F Major (♭VI)

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F Major is a borrowed chord from the parallel minor scale (Ab minor) ♭VI
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Similar Chord Progressions

1. The Beatles – “Let It Be”

C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV)

2. The Rolling Stones – “You Can’t Always Get What You Want”

C Major (I) – F Major (IV) – G Major (V) – C Major (I) – F Major (IV) – G Major (V)

In both of these examples, the featured artists also use variations of the I-IV-V chord progression, which is a classic pattern within pop/rock music, but they have their unique twists to make the progression their own.

Musical Analysis

The use of the I-IV-V structure in the progression rooted in Ab major is a very common and familiar musical theme found in many styles of music, particularly in pop and rock music. By substituting the expected V chord (in this case, Eb major) with a borrowed chord (F major) from the parallel minor key, the progression adds a sense of harmonic surprise. This borrowed chord provides a smooth transition back to the I chord (Ab major), despite the harmonic differences, resulting in a pleasing resolution with some unexpected twists.

Overall Analysis

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

Style Analysis

Beck is known for his eclectic style, incorporating various genres and techniques into his music. In “Think I’m In Love,” he seems to be drawing inspiration from 60s-70s pop/rock traditions which frequently used I-IV-V chord progressions. However, as mentioned earlier, the F major chord adds an element of harmonic intrigue that can be attributed to Beck’s creative and distinctive sound.

Chords in the Chorus section of Think Im In Love by Beck are:

Ab, Eb, F, Ab, Eb, F