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Related Music Theory Alchemy

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

Beck – Think Im In Love – Bridge

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Chord Progression

Am, Bb, Gm, Bbm, F, Am, Ab, Gm, Bbm

Chord Progression Analysis

– A minor (i)
– B flat Major (bII)
– G minor (viiº)
– B flat minor (bII)
– F Major (VI)
– A minor (i)
– A flat Major (bI)
– G minor (viiº)
– B flat minor (bII)

Notice that borrowed chords are quite prevalent in this progression, particularly the bII, which appears in both major and minor forms, suggesting the use of the Neapolitan chord.

Similar Chord Progressions

– The Beatles – “Strawberry Fields Forever” (Bridge): F# Major (V), G Major (VI♭), A Major (♭VII), E Major (IV)
– Radiohead – “Paranoid Android” (Section 2): Am (i), F#m (iv), Dm (vii), G (III), Bb (V), A (IV), Dbm (i)

Musical Analysis

The aforementioned Neapolitan chord (bII) in this progression provides a sense of harmonic tension, as it is not native to any diatonic major or minor scale. The resolution from Bbm to F may indicate a temporary modulation to F, particularly as the progression moves from F to Am, which may suggest a plagal motion. However, the use of Gm and Ab muddies the waters again, creating a sense of ambiguity and a lack of clear resolution.

Overall Analysis

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

Style Analysis

Beck is known for his eclectic style, combining elements of folk, rock, and electronica, among others. This chord progression is a reflection of this eclecticism, with its unconventional harmonies and key changes. It feels adventurous, experimental, and somewhat unpredictable, which is characteristic of Beck’s music.

Chords in the Bridge section of Think Im In Love by Beck are:

Am, Bb, Gm, Bbm, F, Am, Ab, Gm, Bbm