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Related Music Theory Alchemy

The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

Beck – Think Im In Love – Bridge

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Chord Progression

Am, Bb, Gm, Bbm, F, Am, Ab, Gm, Bbm

Chord Progression Analysis

– A minor (i)
– B flat Major (bII)
– G minor (viiº)
– B flat minor (bII)
– F Major (VI)
– A minor (i)
– A flat Major (bI)
– G minor (viiº)
– B flat minor (bII)

Notice that borrowed chords are quite prevalent in this progression, particularly the bII, which appears in both major and minor forms, suggesting the use of the Neapolitan chord.

Similar Chord Progressions

– The Beatles – “Strawberry Fields Forever” (Bridge): F# Major (V), G Major (VI♭), A Major (♭VII), E Major (IV)
– Radiohead – “Paranoid Android” (Section 2): Am (i), F#m (iv), Dm (vii), G (III), Bb (V), A (IV), Dbm (i)

Musical Analysis

The aforementioned Neapolitan chord (bII) in this progression provides a sense of harmonic tension, as it is not native to any diatonic major or minor scale. The resolution from Bbm to F may indicate a temporary modulation to F, particularly as the progression moves from F to Am, which may suggest a plagal motion. However, the use of Gm and Ab muddies the waters again, creating a sense of ambiguity and a lack of clear resolution.

Overall Analysis

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

Style Analysis

Beck is known for his eclectic style, combining elements of folk, rock, and electronica, among others. This chord progression is a reflection of this eclecticism, with its unconventional harmonies and key changes. It feels adventurous, experimental, and somewhat unpredictable, which is characteristic of Beck’s music.

Chords in the Bridge section of Think Im In Love by Beck are:

Am, Bb, Gm, Bbm, F, Am, Ab, Gm, Bbm