Music Theory Alchemy

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The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

The chord progression in the chorus of “Paper Tiger” by Beck is an interesting mix of major and minor chords which gives the song a unique and slightly melancholic vibe. While the song is in the key of E major, it contains several chords borrowed from the parallel minor key and features unusual harmonic movement. This creates a sense of tension and release that is characteristic of Beck’s music.

The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

Beck – Say Goodbye – Verse 1

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I) – A# major (bIII) – A minor (II) – C major (IV)
G major (I) – A# major (bIII) – A minor (II) – C major (IV)

“` Borrowed Chord: A# major (bIII) from G minor “`

Similar Chord Progressions

1. Radiohead – “No Surprises”
Chord progression: F major (I) – Ab major (bIII) – G minor (II) – Bb major (IV)
2. David Bowie – “Space Oddity”
Chord progression: C major (I) – Eb major (bIII) – F major (IV) – G major (V)

Both of these examples demonstrate progressions rooted in the major key, utilizing diatonic and borrowed chords, closely resembling the chord progression found in “Say Goodbye.”

Musical Analysis

The verse progresses with a repetition of the same four chords, creating a continuous loop. Using the diatonic chords I, II, and IV (G, A minor, and C major respectively) roots the progression within the key of G major, while the inclusion of the borrowed chord A# major from the key’s parallel minor (G minor) adds tension and chromaticism to the harmony. The borrowed chord acts as a surprising element in the chord progression, pulling the listener’s ear away from the otherwise diatonic context. Overall, the harmonic movement between these chords contributes to the somewhat melancholic and introspective character of the song.

Overall Analysis

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Style Analysis

“Say Goodbye” utilizes a combination of traditional diatonic harmony and chromaticism that is characteristic of alternative/indie rock late 20th-century musical styles, blending the familiar with the unexpected. Beck’s music often contains quirky harmonic choices in chord progressions, integrating elements of rock, folk, and pop.

Chords in the Verse 1 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C