Music Theory Alchemy

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The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

“Wonderwall” is a song by Oasis, a British rock band. The song showcases the blend of rock and Britpop style. The chord progression in the verse reflects a strong pop feeling, primarily residing in the key of G major.

Beck – Say Goodbye – Verse 1

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I) – A# major (bIII) – A minor (II) – C major (IV)
G major (I) – A# major (bIII) – A minor (II) – C major (IV)

“` Borrowed Chord: A# major (bIII) from G minor “`

Similar Chord Progressions

1. Radiohead – “No Surprises”
Chord progression: F major (I) – Ab major (bIII) – G minor (II) – Bb major (IV)
2. David Bowie – “Space Oddity”
Chord progression: C major (I) – Eb major (bIII) – F major (IV) – G major (V)

Both of these examples demonstrate progressions rooted in the major key, utilizing diatonic and borrowed chords, closely resembling the chord progression found in “Say Goodbye.”

Musical Analysis

The verse progresses with a repetition of the same four chords, creating a continuous loop. Using the diatonic chords I, II, and IV (G, A minor, and C major respectively) roots the progression within the key of G major, while the inclusion of the borrowed chord A# major from the key’s parallel minor (G minor) adds tension and chromaticism to the harmony. The borrowed chord acts as a surprising element in the chord progression, pulling the listener’s ear away from the otherwise diatonic context. Overall, the harmonic movement between these chords contributes to the somewhat melancholic and introspective character of the song.

Overall Analysis

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Style Analysis

“Say Goodbye” utilizes a combination of traditional diatonic harmony and chromaticism that is characteristic of alternative/indie rock late 20th-century musical styles, blending the familiar with the unexpected. Beck’s music often contains quirky harmonic choices in chord progressions, integrating elements of rock, folk, and pop.

Chords in the Verse 1 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C