Search

Related Music Theory Alchemy

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

Beck – Lost Cause – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

F, C, C/B, F, C, C/B, F, C, C/B, Am, E7, F, C, C/B, F, C, C/B, F, C, C/B, Am, E7

Chord Progression Analysis

F major (I) – C major (V) – C major/B (V6) – F major (I) – C major (V) – C major/B (V6) – F major (I) – C major (V) – C major/B (V6) – A minor (vi) – E7 (V7/vi) – F major (I) – C major (V) – C major/B (V6) – F major (I) – C major (V) – C major/B (V6) – F major (I) – C major (V) – C major/B (V6) – A minor (vi) – E7 (V7/vi)

“`
E7 (V7/vi) is a borrowed chord.
“`

Similar Chord Progressions

1. Simon & Garfunkel – “The Boxer”

G major (I) – A minor (ii) – C major (IV) – G major (I) – C major (IV) – G major/B (I6) – A minor (ii) – C major(IV)

2. Oasis – “Wonderwall”

F# minor (i) – A major (III) – E major (VII) – B major (IV) – D major (VI) – A major (III) – E major (VII) – B major (IV)

3. Tracy Chapman – “Fast Car”

C major (I) – G major (V) – E minor (iii) – F major (IV) – C major (I) – G major (V) – F major (IV) – C major (I)

Musical Analysis

The chord progression predominantly alternates between F major and C major, providing a stable foundation. The C major/B adds a touch of tension and interest with its first inversion while maintaining the emphasis on C major. The chord progression deviates from this pattern with A minor and the borrowed E7 chord, creating a momentary sense of anticipation before resolving back to F major. The E7 chord is borrowed from the parallel minor (F minor), acting as a secondary dominant chord to create a stronger pull towards the A minor chord.

Overall Analysis

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

Style Analysis

This chord progression is representative of Beck’s melancholic folk-rock style. It is characterized by simple but expressive melodies and harmonies, with a strong focus on storytelling and emotion. Guitar and acoustic instrumentation are used prominently in this style, imbuing the piece with an organic quality.

Chords in the Verse 2 section of Lost Cause by Beck are:

F, C, C/B, F, C, C/B, F, C, C/B, Am, E7, F, C, C/B, F, C, C/B, F, C, C/B, Am, E7