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Related Music Theory Alchemy

The verse chord progression in Beck’s “Girl Acoustic” features a bright and uplifting feel, with a mix of major and minor chords. The progression is in the key of A major and showcases a simplicity that is common in pop and folk music.

The outro of Beck’s song “Morning” features a beautiful and interesting chord progression in the key of E major. This progression has a mix of diatonic and borrowed chords that creates an evocative sonority and dreamy atmosphere, fitting seamlessly with the rest of the song.

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

The chord progression in the chorus of “Hoppipolla” by Sigur Rós can be considered as being in the key of B Major, featuring a mixture of diatonic and borrowed chords. The progression shows Sigur Rós’ signature atmospheric and emotive style, utilizing various harmonic techniques to create a lush chord progression.

Beck – Girl Acoustic – Chorus

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Chord Progression

E, D, A, E, D, A, E, D, A, E, D, A, E, D, A, E, D, A, E, D, A, E, D, A

Chord Progression Analysis

E Major (V) – D Major (IV) – A Major (I)

Similar Chord Progressions

There are many songs that share a similar structure of moving between the V, IV, and I chords. Some examples are:

1. “Yellow” by Coldplay: B Major (V) – A Major (IV) – E Major (I)
2. “Let It Be” by The Beatles: G Major (V) – F Major (IV) – C Major (I)
3. “With Or Without You” by U2: D Major (IV) – A Major (I) – E Major (V)

These songs, like “Girl Acoustic,” utilize the strong resolutions and the tension between the V and IV chords to create memorable and engaging progressions.

Musical Analysis

The progression is a repeated pattern of three chords – E, D, and A. This particular sequence creates a strong and stable harmonic structure built around the tonic. The constant return to the tonic provides the sense of resolution and conclusiveness, whereas the movement from V to IV chords creates tension, contributing to the song’s overall emotion.

The movement from E to D (V to IV) is a classic “plagal cadence” that is widely used throughout various music genres, enhancing the song’s catchiness and familiarity.

Overall Analysis

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

Style Analysis

The progression’s simplicity and constant return to the tonic can be seen as a defining stylistic characteristic of Beck’s songwriting, which often employs straightforward yet effective harmonic structures. “Girl Acoustic” is predominantly a pop-influenced indie-folk song, and the chord progression reflects that in its accessible nature.

Chords in the Chorus section of Girl Acoustic by Beck are:

E, D, A, E, D, A, E, D, A, E, D, A, E, D, A, E, D, A, E, D, A, E, D, A