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The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

A Perfect Circle – Gravity – Interlude

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Chord Progression

[‘C#m’, ‘F#’, ‘C#m’, ‘F#’, ‘C#m’, ‘F#’, ‘C#m’, ‘F#’, ‘G#m’]

Chord Progression Analysis

“`
C# minor (‘i’),
F# major (‘V’),
C# minor (‘i’),
F# major (‘V’),
C# minor (‘i’),
F# major (‘V’),
C# minor (‘i’),
F# major (‘V’),
G# minor (‘vi’)
“`
In the interlude, the song features a repeated i-V progression before resolving to the vi (G#m) chord, which is not a borrowed chord but still within the C# minor key.

Similar Chord Progressions

One example of a similar chord progression can be found in “Black” by Pearl Jam:
“`
E (‘i’),
A (‘V’),
E (‘i’),
A (‘V’),
E (‘i’),
A (‘V’),
E (‘i’),
A (‘V’),
B (‘vi’)
“`
This also demonstrates a predominant i-V progression, with a resolution to vi. However, the key is E minor as compared to “Gravity”‘s C# minor.

Musical Analysis

This song has an atypical chord progression for rock, mostly cycling between the tonic (i) and dominant (V), not fully resolving until it hits the submediant (vi), which provides a sensation of tension and release. The frequent use of minor chords also adds to the melancholic and atmospheric feel of the song.

Overall Analysis

The song “Gravity” by A Perfect Circle is principally in the key signature of C# minor, which is categorically a minor scale. The primary chords used throughout the song are C#m, F#, and G#m, with the addition of E occasionally. The overall chord progression is quite consistent, with alternative lose touch of the conventional nature of chord progressions in pop and rock music.

Style Analysis

“Gravity” has an alternative rock style, characterized by its moody and atmospheric textures. This is facilitated by the simple, repetitive chord progression which creates a hypnotic effect. The emphasis on minor chords also contributes to a somewhat melancholic and introspective tone, common within alternative rock music.

Chords in the Interlude section of Gravity by A Perfect Circle are:

[‘C#m’, ‘F#’, ‘C#m’, ‘F#’, ‘C#m’, ‘F#’, ‘C#m’, ‘F#’, ‘G#m’]