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Led Zeppelin

“Dazed and Confused” by Led Zeppelin is an iconic rock song that features a descending bass line and bluesy chord progressions. The outro takes on a more aggressive tone and the chords are power chords, which give the song a heavy sound. These power chords, mixed with the syncopated rhythm and the blues-rock influences, contribute to the song’s unique character.

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Led Zeppelin

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

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George Benson

“Nothings Gonna Change My Love For You” is a romantic ballad featuring a smooth and melodic chord progression characteristic of the pop and jazz fusion genres. The Verse’s chord progression contains some elements of a standard jazz progression while also making use of several borrowed chords. The chords contribute to the warm and sentimental atmosphere that captures the essence of the song’s theme.

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Muse

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

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The Beatles

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

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Led Zeppelin – Dazed And Confused – Verse

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Chord Progression

Em, Em, Emadd9, G7add13, Em, Em7, Em6, C7M, Em, Emadd9, G7add13, Em, Em7, Em6, C7M, B5, B5, B5, B5, B5, B5, B5, B5, B5, B5, B5, B5

Chord Progression Analysis

Em (i), Em (i), Emadd9 (iadd9), G7add13 (III7add13), Em (i), Em7 (i7), Em6 (i6), Cmaj7 (VIIMaj7), Em (i), Emadd9 (iadd9), G7add13 (III7add13), Em (i), Em7 (i7), Em6 (i6), Cmaj7 (VIIMaj7), B5 (v^o5)

Note: As there are no borrowed chords in this progression, no code block is necessary.

Similar Chord Progressions

1. Cream – Sunshine of Your Love
Chord Progression: D (IV), C (bIII), G (I), G (I)

2. The Doors – Riders on the Storm
Chord Progression: Em9 (i9), Em9 (i9), A9 (IV9), A9 (IV9)

3. Jimi Hendrix – Voodoo Chile (Slight Return)
Chord Progression: E7#9 (I7#9), G (bIII), A (IV)

While these chord progressions may not be identical, they incorporate some similar techniques, such as modal interchange and the use of dominant or extended chords to create distinctive atmospheres in rock and blues music.

Musical Analysis

The chord progression begins with three variations of the Em chord (Em, Emadd9, and Em7), establishing E as the tonal center, creating a modal feeling. The G7add13 seems to suggest a shift to E Aeolian mode since it contains the flat 6th scale degree (C). This shift gives a sense of darkness and dissonance when it resolves back to Em.

The Em6 and Cmaj7 form an interesting chromatic line (B moving to C), slightly shifting the emphasis before returning to Em. The verse ends with a sequence of predominant B5 power chords, which leads back to the tonic, creating a sense of tension and release.

Overall Analysis

“Dazed and Confused” by Led Zeppelin is a rock song that features a mix of blues and psychedelic elements. The chord progression in the verse is quite unconventional and may invoke a feeling of unease, which matches the song’s mysterious and somewhat disorienting theme.

Style Analysis

“Dazed and Confused” showcases Led Zeppelin’s unique blend of blues and psychedelic rock. The use of modal interchange, chromatic lines, and power chords creates a dark and mystifying atmosphere. Additionally, the driving beat and dynamic changes add to the song’s energy.

Chords in the Verse section of Dazed And Confused by Led Zeppelin are:

Em, Em, Emadd9, G7add13, Em, Em7, Em6, C7M, Em, Emadd9, G7add13, Em, Em7, Em6, C7M, B5, B5, B5, B5, B5, B5, B5, B5, B5, B5, B5, B5

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