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Related Music Theory Alchemy

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

“Dazed and Confused” by Led Zeppelin is a rock song that features a mix of blues and psychedelic elements. The chord progression in the verse is quite unconventional and may invoke a feeling of unease, which matches the song’s mysterious and somewhat disorienting theme.

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

Nine Inch Nails – Something I Can Never Have – Verse

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Chord Progression

C, C, C, Em, F, C/G, Em, F

Chord Progression Analysis

Verse – C Major (I), C Major (I), C Major (I), E Minor (iii), F Major (IV), C Major/G (I6/4), E Minor (iii), F Major (IV)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Verse: A Minor (i), A Minor7/G (i7/6), D Major/F# (IV/5), Eminor7 (v7)

2. The Beatles – “While My Guitar Gently Weeps”
Verse: A Minor (i), A Minor/G (i6), A Minor/F# (i/5), A Minor/F (i/2)
Bridge: F Major (VI), Dminor/B, G_major/A (VII), A Minor (i), G Major (VII)

3. Depeche Mode – “Enjoy the Silence”
Chorus: D Major (I), A/C# (V6), E/G# (II6), G7 (IV7), A7sus (V7sus), A7 (V7)

Musical Analysis

The verse starts with three repetitions of the C Major chord, establishing a sense of stability. Moving to E Minor, there is a sudden shift in mood due to the chord being a minor third. Continuing on to the F Major chord, this serves as a subdominant with the V chord being absent in this progression. Subsequently, the piece moves to the C Major chord with G in the bass (C Major/G), which adds a descending bass line from the previous F Major chord. Then, the E Minor and F Major chords reappear, concluding the verse in a cyclical structure.

Overall Analysis

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

Style Analysis

This chord progression is representative of the unique style that Nine Inch Nails brought to the alternative rock and industrial rock styles of the late ’80s and early ’90s. The combination of major and minor chords in close proximity creates a sense of emotional instability, while the use of a descending bass line provides a sense of consistency throughout the piece. The melancholic arrangement and sparsity of chords have become a hallmark of the band’s signature sound.

Chords in the Verse section of Something I Can Never Have by Nine Inch Nails are:

C, C, C, Em, F, C/G, Em, F