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The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

Daniel Caesar – Get You – Verse 2

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

E minor (i), F# minor 7 (ii7), B minor (v), A7 (IV7), and the progression is repeated four times in Verse 2.

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: C#m7 (i7), F#m11 (iv11), E6 (bIII6), G#11 (VI11), C#m9 (i9), G#7 (VI7)

2. Erykah Badu – “Next Lifetime”
Chord Progression: Em7 (i7), Gmaj7 (bIIIΔ7), Bm7 (v7), F#m7 (ii7), B9 (V9)

3. Frank Ocean – “Ivy”
Chord Progression: E maj (I), G maj (bIII), C#m7 (vi7), F#m7 (ii7), B7 (V7)

These chord progressions share similarities in their use of mode mixture, borrowed chords, and rich extended harmonies often found in R&B and neo-soul music.

Musical Analysis

The progression begins in the key of E minor, starting with the tonic (i) chord. Then, the progression moves to F#m7, the ii7 chord of E Dorian. This provides a jazzy and unexpected sound while borrowing from the Dorian mode. After that, we have the v chord (Bm) providing tension. Lastly, we have a borrowed A7 (IV7) dominant chord, which resolves the tension and heads back to the beginning of the progression, creating a loop.

In this progression, there are two borrowed chords:
“`
F#m7 (ii7) – Borrowed from E Dorian
A7 (IV7) – Borrowed from E Major
“`

Overall Analysis

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

Style Analysis

This chord progression features elements of R&B and neo-soul, which are known for their lush textures and creative use of non-diatonic chords and borrowed chords. The combination of mode mixture and borrowed chords create an emotional and sophisticated sound that’s distinctive of Daniel Caesar’s music.

Chords in the Verse 2 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7