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Related Music Theory Alchemy

This pre-chorus from Weezer’s “Buddy Holly” features an eight-chord progression in the key of A major. It includes a borrowed chord (Dm) from the parallel minor key (A minor). The harmonic movement consists of alternating D major and C# minor chords, followed by F# minor chords, before returning to the D major root and finally resolving with the borrowed Dm chord. This progression contributes to the energetic, catchy, and upbeat style of the song.

“Undone – The Sweater Song” by Weezer features a chorus with a simple, yet effective chord progression that combines the use of power chords with major chords. This combination gives the song its distinctive indie rock sound and contributes to its overall catchiness. The chorus is based on a four-chord progression with three different chords, where G5 power chord is followed by two major chords, C and D.

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

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“Every Day Is Exactly The Same” by Nine Inch Nails has an interesting chord progression, particularly in the bridge, which adopts a distinct pattern of E, A, C, G repeatedly. This song is classified under Industrial Rock and utilizes repetition impressively to create a sense of monotony and frustration, akin to the lyrical theme.

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Weezer – Buddy Holly – Bridge

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Chord Progression

A, F#m, A/C#, B, A, F#m, A/C#, B, A, A, F#m, A/C#, B, A, F#m, A/C#, B, A

Chord Progression Analysis

A (I) – F#m (vi) – A/C# (I6) – B (II) – A (I) – F#m (vi) – A/C# (I6) – B (II) – A (I) – A (I) – F#m (vi) – A/C# (I6) – B (II) – A (I) – F#m (vi) – A/C# (I6) – B (II) – A (I)

Similar Chord Progressions

1. The Beatles – “Let It Be”
Chord progression: C (I) – G (V) – Am (vi) – F (IV) – C (I) – G (V) – F (IV) – C (I)

2. Oasis – “Wonderwall”
Chord progression: Em7 (ii7) – G (IV) – Dsus4 (I) – Asus7 (V7)

These chord progressions share similarities such as the use of diatonic progressions within a key and the shifting between major and minor chords, creating a sense of tension and release. Although they may not be identical, the emotional impact and the style share common ground with “Buddy Holly.”

Musical Analysis

The progression starts with the tonic (I) chord, A major, which establishes the key center. Moving to the next chord, F#m (vi), creates a shift to the relative minor, adding a sense of melancholy to the music. Following F#m is an inversion of the A major chord, A/C# (I6), creating a smooth bass transition from F# to C#.

The use of the B major chord (II) in this progression is interesting, as it is not diatonic to the key of A major. Here, it functions as a borrowed chord from A’s parallel Lydian mode. This borrowing creates a change in harmonic color, giving the progression a unique touch.

Overall Analysis

The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

Style Analysis

The chord progression features techniques and elements that are common in pop and rock music, such as the use of diatonic chord progressions within the key, the inclusion of chord inversions for smoother bass transitions, and the borrowing of chords from other modes. The progression evokes a sense of nostalgia, which can also be associated with Weezer’s overall musical style.

Chords in the Bridge section of Buddy Holly by Weezer are:

A, F#m, A/C#, B, A, F#m, A/C#, B, A, A, F#m, A/C#, B, A, F#m, A/C#, B, A