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Related Music Theory Alchemy

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

The chorus of Pink Floyd’s “Comfortably Numb” is a perfect example of their signature sound, combining both rock and progressive elements. The harmonic structure is simple yet effective, providing a sense of resolution and stability throughout the progression. This, combined with the smooth melodic lines, gives listeners a feeling of being “comfortably numb.”

Weezer – If Youre Wondering If I Want You To I Want You To – Chorus

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Chord Progression

D, Bm, Bm, G, A, Bm, D, Bm, Bm, G, A, D

Chord Progression Analysis

D (I) – Bm (vi) – Bm (vi) – G (IV) – A (V) – Bm (vi) – D (I) – Bm (vi) – Bm (vi) – G (IV) – A (V) – D (I)

Similar Chord Progressions

1. “Wonderwall” by Oasis:
D (I) – Dsus4 (Isus4) – Asus4 (IVsus4) – G (IV) – Bm (vi) – A (V) – D (I)

2. “Smells Like Teen Spirit” by Nirvana (in F minor):
Fm (i) – Bb (IV) – Ab (III) – Db (VI)

These songs, like Weezer’s “If You’re Wondering If I Want You To (I Want You To),” make use of diatonic chords in their progressions while also including variations, such as sus chords in “Wonderwall” or chords borrowed from the parallel major scale in “Smells Like Teen Spirit.” This gives the progressions an additional layer of interest and emotion comparable to Weezer’s piece.

Musical Analysis

The chorus begins with the tonic chord, D, establishing the key of the piece. It then moves to the relative minor chord, Bm, which serves to add depth and contrast to the harmony. The repetition of the Bm chord emphasizes its importance in the progression. Following the Bm, we move to G and A, the IV and V chords, respectively. These chords are used to create a sense of forward momentum and ultimately lead back to the tonic.

The second half of the progression mirrors the first half, but with one key difference: rather than returning to Bm for another round of vi-IV-V, the progression resolves directly back to the tonic, D, creating a strong sense of resolution and conclusion.

Overall Analysis

“If You’re Wondering If I Want You To (I Want You To)” by Weezer has a chorus featuring a chord progression in the key of D major. The progression includes chords from both the major and minor scales while still primarily using diatonic chords from D major. The style of the progression is reminiscent of 90s alternative rock, and it finds similarity with other iconic chord progressions in rock music.

Style Analysis

The chord progression used in this Weezer piece is characteristic of the alternative rock style of the 1990s. The use of diatonic chords, simple harmonic structures, and a strong bass line provide a solid foundation for the melody and lyrics. The progression’s mix of major and minor chords gives the chorus an emotional complexity common in alternative rock, conveying a wide range of feelings such as nostalgia, hope, and longing.

Chords in the Chorus section of If Youre Wondering If I Want You To I Want You To by Weezer are:

D, Bm, Bm, G, A, Bm, D, Bm, Bm, G, A, D