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Related Music Theory Alchemy

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

“My Name Is Jonas” by Weezer is an alternative rock song with a memorable guitar riff and chord progression. The song features a dynamic structure with a mix of different sections, including the refrain, which we will analyze here. Written in the key of G major, the chord progression presents a mixture of chords from both the major and the minor modes, giving it an interesting and varied sound.

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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Weezer – Undone The Sweater Song – Verse 2

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

Borrowed chord:
`G6#9`

Similar Chord Progressions

1. Oasis – “Wonderwall”
Gmaj7 (I), Dsus4 (V), Em7 (vi), Cadd9 (IV), Gmaj7 (I), Dsus4 (V), Cadd9 (IV)

2. Radiohead – “Creep”
Gmaj (I), B (III), C (IV), Cm (iv)

3. Nirvana – “Smells Like Teen Spirit”
F5 (I), Bb5 (IV), Ab5 (bIII), Db5 (bVI), F5 (I), Bb5 (IV), Ab5 (bIII), C5 (V)

While none of these songs have the exact same chord progression as “Undone – The Sweater Song,” each has a similar blending of pop and rock elements with the use of familiar diatonic chords, combined with borrowed or added chords which enhance the overall sound and make the chord progression more distinctive.

Musical Analysis

The verse 2 chord progression centers around the I-IV-V chords (G, C, and D) which are typically used in common major key progressions. However, the G6#9 chord introduces a surprising element to the progression by using a borrowed chord from the G Mixolydian mode. The #9 adds tension and creates a sense of expectation as it resolves to the IV chord, while the added 6th degree (E) in the G6#9 chord provides a smooth melodic connection to the C chord.

Overall Analysis

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Style Analysis

The style of the chord progression in Verse 2 represents a fusion of pop and grunge rock sensibilities. The use of diatonic chords (G, C, and D) showcases the tendency of pop music to adhere to the major scale, while the borrowed G6#9 chord highlights the grunge rock influence that seeks to explore non-diatonic or dissonant harmonies. This combination creates a unique sound that defines Weezer’s signature style, blending the familiar and the unexpected.

Chords in the Verse 2 section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C