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Related Music Theory Alchemy

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

“Say It Ain’t So” by Weezer is an alternative rock song with a sense of melancholy in the verse and a catchy, anthemic chorus. The verse chords, which you provided, create a strong sense of movement and harmonic interest by using borrowed chords and a combination of diatonic and chromatic chord progressions.

“In My Life” is a song by The Beatles from the 1965 album Rubber Soul. It is written in the key of A Major, beloved for its introspective lyrics and harmonic structure. The chord progression is complex and contains several borrowed chords and secondary dominants, displaying an impressive use of tonality that is characteristic of the band’s sophisticated songwriting.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

The interlude of Weezer’s “Island in the Sun” is in the key of G Major, and features a four-chord progression that repeats itself twice (Em-Am-D-G). The sequence follows a vi-ii-V-I progression, which is a very common progression in pop and rock music.

Weezer – Undone The Sweater Song – Interlude

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

“`G6#9 is a borrowed chord in this progression (from G melodic minor scale).“`

Similar Chord Progressions

1. “Creep” by Radiohead: G (I), B7 (III7), C (IV), Cm (iv)
2. “Don’t Look Back in Anger” by Oasis: C (IV), F (bVII), G (V), Am (ii), E7 (V7/vi), Fmaj7 (bVIImaj7), G (V)

These examples also showcase a mix of traditional diatonic chord progressions with a slight intrusion of borrowed or altered chords, much like Weezer’s “Undone – The Sweater Song.”

Musical Analysis

The chord progression begins with the G6#9 chord, lending a jazz-influenced sound to the interlude. The #9 of the G6#9 chord adds tension and dissonance, creating a sense of anticipation that resolves to the more stable triadic chord C major.

The C major and D major chords, functioning as the IV and V chords, respectively, provide a sense of harmonic movement and establish the tonal center of G major. The repetition of this segment emphasizes the harmonic movement between the I, IV, and V chords in the G major key.

Overall Analysis

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

Style Analysis

Weezer’s use of the G6#9 chord adds a unique and recognizable character to the interlude, blending their traditional chord progressions with a more jazz-oriented chord. The movement between the I, IV, and V chords demonstrates Weezer’s penchant for writing strong melodic hooks rooted in traditional pop/rock harmony. This interlude showcases the band’s ability to experiment with different genres and styles while maintaining a coherent sound.

Chords in the Interlude section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C