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Related Music Theory Alchemy

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

“In My Life” is a song by The Beatles from the 1965 album Rubber Soul. It is written in the key of A Major, beloved for its introspective lyrics and harmonic structure. The chord progression is complex and contains several borrowed chords and secondary dominants, displaying an impressive use of tonality that is characteristic of the band’s sophisticated songwriting.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

Weezer – Undone The Sweater Song – Interlude

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

“`G6#9 is a borrowed chord in this progression (from G melodic minor scale).“`

Similar Chord Progressions

1. “Creep” by Radiohead: G (I), B7 (III7), C (IV), Cm (iv)
2. “Don’t Look Back in Anger” by Oasis: C (IV), F (bVII), G (V), Am (ii), E7 (V7/vi), Fmaj7 (bVIImaj7), G (V)

These examples also showcase a mix of traditional diatonic chord progressions with a slight intrusion of borrowed or altered chords, much like Weezer’s “Undone – The Sweater Song.”

Musical Analysis

The chord progression begins with the G6#9 chord, lending a jazz-influenced sound to the interlude. The #9 of the G6#9 chord adds tension and dissonance, creating a sense of anticipation that resolves to the more stable triadic chord C major.

The C major and D major chords, functioning as the IV and V chords, respectively, provide a sense of harmonic movement and establish the tonal center of G major. The repetition of this segment emphasizes the harmonic movement between the I, IV, and V chords in the G major key.

Overall Analysis

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

Style Analysis

Weezer’s use of the G6#9 chord adds a unique and recognizable character to the interlude, blending their traditional chord progressions with a more jazz-oriented chord. The movement between the I, IV, and V chords demonstrates Weezer’s penchant for writing strong melodic hooks rooted in traditional pop/rock harmony. This interlude showcases the band’s ability to experiment with different genres and styles while maintaining a coherent sound.

Chords in the Interlude section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C