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Related Music Theory Alchemy

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

Beck – Think Im In Love – Verse 3

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Chord Progression

F, F, F, F

Chord Progression Analysis

F Major (I)

Similar Chord Progressions

It’s quite rare to find a song with a chord progression that only utilizes one major chord. However, some artists have made use of simplistic and repetitive progressions. One example is The Beatles’ “Tomorrow Never Knows,” which prominently features the C Major (I) chord throughout the song, with occasional use of the B♭ Major (♭VII) as well. Another example is “Wild Thing” by The Troggs, which features a repetitive progression throughout the song: A Major (I), D Major (IV), E Major (V), and D Major (IV) again.

To provide a comprehensive analysis, we would require the complete chord progression from the verse of “Think I’m in Love” by Beck.

Musical Analysis

As mentioned before, the repetition of the F Major (I) chord creates a sense of stability in the progression. However, it lacks any harmonic movement or tension since no other chords are present. This limits the progression’s potential for dynamic or emotional expression.

Overall Analysis

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

Style Analysis

The heavy reliance on a single chord hints at a minimalist or simplistic approach to the piece. This could be found in some folk music or deliberate stylistic choice in a pop song.

Chords in the Verse 3 section of Think Im In Love by Beck are:

F, F, F, F