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Related Music Theory Alchemy

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

“Have You Ever Seen The Rain” is a popular song by Creedence Clearwater Revival from the 1971 album “Pendulum”. This song is performed in the key of C major, and uses chords from the diatonic scale. However, it also utilizes borrowed chords and chord inversions to create a bit of colour and novelty.

“Every Day Is Exactly The Same” by Nine Inch Nails utilizes a unique four-chord cycle in its chorus – ‘E’, ‘A’, ‘C’, ‘G’. The song is in the key of E minor, and therefore, the functional analysis would interpret this progression as i-IV-bVI-III. The bVI and III are borrowed chords from the parallel major scale. This chord progression creates a moody atmosphere that aligns with the overall melancholic and introspective theme of the song.

Beck – Sexx Laws – Chorus

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Chord Progression

E, G#, C#, G, F#, F, E, D, A, A#

Chord Progression Analysis

E Major (I), G# Major (bIII), C# Major (V/vi), G Major (bIII/iv), F# Major (II), F Major (bII), E Major (I), D Major (VII), A Major (IV), A# Diminished (iv°)

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Borrowed chords: G# Major, G Major, F Major, A# Diminished
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Similar Chord Progressions

1. Radiohead – “Paranoid Android” (in a different key): Bb Major (I), Db Major (bIII), F# Major (V/vi), Eb Major (IV), D Major (VII), A Major (IV), Bb Major (I)
2. The Beatles – “While My Guitar Gently Weeps” (in a different key): Am (i), A#dim (iidim), C#m7(b5) (ivm7b5), C (bIII), G (VII), F#dim (vidim), E (VI)

Each of these songs uses unexpected chords, borrowed chords, and chromatic elements, making them similar in style to the chord progression in “Sexx Laws” by Beck.

Musical Analysis

The progression begins and ends with the E major chord, which is the tonic chord, establishing a sense of E major as the tonal center. However, the second chord, G# Major, deviates from the diatonic chords in E major and is a borrowed chord. The movement from the E major to the G# Major introduces a chromaticism that is further enhanced by the following chords.

The inclusion of borrowed chords such as G Major, F Major, and the A# Diminished chord adds unexpected harmonic motion and color. The progression moves in chromatic and whole steps, creating a sense of tension and release. The use of parallel major chords, such as E, G#, C#, G, and F#, contributes to a classic rock sound.

Overall Analysis

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

Style Analysis

Beck is known for his diverse and innovative musical style, drawing from various genres such as rock, blues, and folk. This particular chord progression highlights Beck’s ability to combine traditional harmony with non-diatonic, unexpected, and chromatic elements. The classic rock-inspired parallel major chords, inject a vintage flavor, and the overall progression can be considered a unique blend fitting Beck’s eclectic style.

Chords in the Chorus section of Sexx Laws by Beck are:

E, G#, C#, G, F#, F, E, D, A, A#