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The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

Beck – Sexx Laws – Chorus

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Chord Progression

E, G#, C#, G, F#, F, E, D, A, A#

Chord Progression Analysis

E Major (I), G# Major (bIII), C# Major (V/vi), G Major (bIII/iv), F# Major (II), F Major (bII), E Major (I), D Major (VII), A Major (IV), A# Diminished (iv°)

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Borrowed chords: G# Major, G Major, F Major, A# Diminished
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Similar Chord Progressions

1. Radiohead – “Paranoid Android” (in a different key): Bb Major (I), Db Major (bIII), F# Major (V/vi), Eb Major (IV), D Major (VII), A Major (IV), Bb Major (I)
2. The Beatles – “While My Guitar Gently Weeps” (in a different key): Am (i), A#dim (iidim), C#m7(b5) (ivm7b5), C (bIII), G (VII), F#dim (vidim), E (VI)

Each of these songs uses unexpected chords, borrowed chords, and chromatic elements, making them similar in style to the chord progression in “Sexx Laws” by Beck.

Musical Analysis

The progression begins and ends with the E major chord, which is the tonic chord, establishing a sense of E major as the tonal center. However, the second chord, G# Major, deviates from the diatonic chords in E major and is a borrowed chord. The movement from the E major to the G# Major introduces a chromaticism that is further enhanced by the following chords.

The inclusion of borrowed chords such as G Major, F Major, and the A# Diminished chord adds unexpected harmonic motion and color. The progression moves in chromatic and whole steps, creating a sense of tension and release. The use of parallel major chords, such as E, G#, C#, G, and F#, contributes to a classic rock sound.

Overall Analysis

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

Style Analysis

Beck is known for his diverse and innovative musical style, drawing from various genres such as rock, blues, and folk. This particular chord progression highlights Beck’s ability to combine traditional harmony with non-diatonic, unexpected, and chromatic elements. The classic rock-inspired parallel major chords, inject a vintage flavor, and the overall progression can be considered a unique blend fitting Beck’s eclectic style.

Chords in the Chorus section of Sexx Laws by Beck are:

E, G#, C#, G, F#, F, E, D, A, A#