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Related Music Theory Alchemy

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

Beck – Sexx Laws – Verse 1

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Chord Progression

B, G#, B, G#, B, G#, A, F#

Chord Progression Analysis

1. B Major (I)
2. G# Major (VI)
3. B Major (I)
4. G# Major (VI)
5. B Major (I)
6. G# Major (VI)
7. A Major (II – borrowed chord)
8. F# Major (V)

`[key change]`

Chord progression analysis including borrowed chord:

B Major (I), G# Major (VI), B Major (I), G# Major (VI), B Major (I), G# Major (VI), A Major (`bII` – borrowed chord from the Phrygian mode), F# Major (V)

Similar Chord Progressions

1. Radiohead – “Paranoid Android” (Verse)
Chord progression:
C minor (i), Bb Major (VII), G Major (`III – borrowed chord`), A Major (IV)

2. Stevie Wonder – “Superstition” (Main riff)
Chord progression:
E flat minor (i), Bb minor(iv), Ab minor (`bIII`, borrowed chord), A Major (`iv`, borrowed chord)

3. The Beatles – “I Want You (She’s So Heavy)” (Verse)
Chord progression:
A Minor (i), G Major (VII), D Major (`IV – borrowed chord`), A Major (I)

Musical Analysis

This progression starts by alternating between the root chord (B Major) and the major sixth (G# Major), creating a sense of tension and intrigue as it shifts the tonal center. When it reaches the A Major chord (borrowed from the Phrygian mode), it brings an element of surprise and adds chromatic interest to the progression. Lastly, the F# Major chord functions as a dominant chord, resolving back to the root B Major, giving a sense of completion and resolution.

Overall Analysis

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

Style Analysis

The combination of major and minor chords, as well as the presence of a borrowed chord, creates a distinct harmonic identity that can be found in several music genres, such as funk, jazz, blues, and rock. Beck is known for his ability to blend various styles and elements in his music, and “Sexx Laws” is no exception.

Chords in the Verse 1 section of Sexx Laws by Beck are:

B, G#, B, G#, B, G#, A, F#