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Related Music Theory Alchemy

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

Beck – Say Goodbye – Bridge

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Chord Progression

D, C

Chord Progression Analysis

D Major (I) – C Major (bVII)

Borrowed chord:
`C Major (bVII)`

Similar Chord Progressions

1. Neil Young – “Down by the River”
Chord Progression:
E Minor (i) – D Major (bVII)

2. The Beatles – “Hey Jude”
Chord Progression (during the outro section):
F Major (I) – E-flat Major (bVII)

3. Radiohead – “Karma Police”
Chord progression (during the chorus):
G Major (I) – F Major (bVII)

These songs feature a similar bVII movement, which contributes to their unique and memorable nature.

Musical Analysis

The bridge oscillates between the D Major and C Major chords. The use of the flattened seventh chord (C Major) in the key of D Major adds a touch of unexpectedness and intrigue, making the progression engaging. This movement between the tonic and the borrowed chord from the mixolydian mode makes the progression sound unique and captivating.

Overall Analysis

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

Style Analysis

Beck is known for blending various styles of music, such as folk, rock, and electronica. The choice of this simple yet unexpected chord progression contributes to his signature eclecticism. The use of the bVII chord in a major key has a hint of modal mixture, adding an element of surprise as well as lending it a distinct “Beck” quality. It’s worth noting that this chord progression can be often found in various genres, particularly in rock, alternative music, and indie.

Chords in the Bridge section of Say Goodbye by Beck are:

D, C