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Related Music Theory Alchemy

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

Beck – Say Goodbye – Verse 1

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I) – A# major (bIII) – A minor (II) – C major (IV)
G major (I) – A# major (bIII) – A minor (II) – C major (IV)

“` Borrowed Chord: A# major (bIII) from G minor “`

Similar Chord Progressions

1. Radiohead – “No Surprises”
Chord progression: F major (I) – Ab major (bIII) – G minor (II) – Bb major (IV)
2. David Bowie – “Space Oddity”
Chord progression: C major (I) – Eb major (bIII) – F major (IV) – G major (V)

Both of these examples demonstrate progressions rooted in the major key, utilizing diatonic and borrowed chords, closely resembling the chord progression found in “Say Goodbye.”

Musical Analysis

The verse progresses with a repetition of the same four chords, creating a continuous loop. Using the diatonic chords I, II, and IV (G, A minor, and C major respectively) roots the progression within the key of G major, while the inclusion of the borrowed chord A# major from the key’s parallel minor (G minor) adds tension and chromaticism to the harmony. The borrowed chord acts as a surprising element in the chord progression, pulling the listener’s ear away from the otherwise diatonic context. Overall, the harmonic movement between these chords contributes to the somewhat melancholic and introspective character of the song.

Overall Analysis

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Style Analysis

“Say Goodbye” utilizes a combination of traditional diatonic harmony and chromaticism that is characteristic of alternative/indie rock late 20th-century musical styles, blending the familiar with the unexpected. Beck’s music often contains quirky harmonic choices in chord progressions, integrating elements of rock, folk, and pop.

Chords in the Verse 1 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C