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Related Music Theory Alchemy

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

Beck – Say Goodbye – Verse 1

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I) – A# major (bIII) – A minor (II) – C major (IV)
G major (I) – A# major (bIII) – A minor (II) – C major (IV)

“` Borrowed Chord: A# major (bIII) from G minor “`

Similar Chord Progressions

1. Radiohead – “No Surprises”
Chord progression: F major (I) – Ab major (bIII) – G minor (II) – Bb major (IV)
2. David Bowie – “Space Oddity”
Chord progression: C major (I) – Eb major (bIII) – F major (IV) – G major (V)

Both of these examples demonstrate progressions rooted in the major key, utilizing diatonic and borrowed chords, closely resembling the chord progression found in “Say Goodbye.”

Musical Analysis

The verse progresses with a repetition of the same four chords, creating a continuous loop. Using the diatonic chords I, II, and IV (G, A minor, and C major respectively) roots the progression within the key of G major, while the inclusion of the borrowed chord A# major from the key’s parallel minor (G minor) adds tension and chromaticism to the harmony. The borrowed chord acts as a surprising element in the chord progression, pulling the listener’s ear away from the otherwise diatonic context. Overall, the harmonic movement between these chords contributes to the somewhat melancholic and introspective character of the song.

Overall Analysis

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Style Analysis

“Say Goodbye” utilizes a combination of traditional diatonic harmony and chromaticism that is characteristic of alternative/indie rock late 20th-century musical styles, blending the familiar with the unexpected. Beck’s music often contains quirky harmonic choices in chord progressions, integrating elements of rock, folk, and pop.

Chords in the Verse 1 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C