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Related Music Theory Alchemy

“Heart Is A Drum” by Beck is primarily a folk and indie rock song that features an interesting harmonic structure in the Hook 2. The progression adds complexity and emotional depth to the song by diverging from the standard conventions of Western popular music. The chord progression includes a borrowed chord, which adds richness to the overall sound.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

Beck – Heart Is A Drum – Verse 1

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C (I) – Dm7 (ii7) – C (I) – C (I) – Dm7 (ii7) – C (I)

Similar Chord Progressions

1. Bob Dylan – “Don’t Think Twice, It’s All Right”
Chord Progression: C (I) – G (V) – Am (vi) – C (I) – D7/F# (V7/ii) – G (V) – G7 (V7)

2. Nick Drake – “Northern Sky”
Chord Progression: C (I) – E7 (III7) – Am7 (vi7) – C/G (I) – Fmaj7 (IVmaj7) – G (V)

3. José González – “Heartbeats”
Chord Progression: C (I) – E (III) – Am (vi) – Fmaj7 (IVmaj7) – G (V) – C (I)

While none of these progressions are identical to that of “Heart Is A Drum,” they all demonstrate a similar inclination for simplicity and emotion, by blending the stability of the diatonic chords with subtle harmonic twists that add character and depth to the music.

Musical Analysis

The simple, repetitive chord progression effectively communicates an introspective, pensive mood that is consistent with the song’s theme. Alternating between the tonic and subdominant chords in this way creates a sense of stability, as the movement between these chords is neither driven by the strong dominant-tonic relationship, nor surprising with any borrowed chords or dramatic modulations. The use of a minor seventh chord—a more emotionally complex sound—adds depth to the subdominant harmony and contrasts subtly with the straightforward major triad on the other chords.

Overall Analysis

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

Style Analysis

This chord progression reflects Beck’s signature blend of styles, drawing from folk, alternative, and even a hint of gospel harmony, with the ii7 chord evoking a gentle soulfulness. The minimalist and reflective nature of this progression is consistent with the introspective lyrical content of the song, and the simplicity of the harmonic structure allows for a more prominent focus on the melody and lyrics.

Chords in the Verse 1 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C