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Related Music Theory Alchemy

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

Beck – Heart Is A Drum – Verse 1

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C (I) – Dm7 (ii7) – C (I) – C (I) – Dm7 (ii7) – C (I)

Similar Chord Progressions

1. Bob Dylan – “Don’t Think Twice, It’s All Right”
Chord Progression: C (I) – G (V) – Am (vi) – C (I) – D7/F# (V7/ii) – G (V) – G7 (V7)

2. Nick Drake – “Northern Sky”
Chord Progression: C (I) – E7 (III7) – Am7 (vi7) – C/G (I) – Fmaj7 (IVmaj7) – G (V)

3. José González – “Heartbeats”
Chord Progression: C (I) – E (III) – Am (vi) – Fmaj7 (IVmaj7) – G (V) – C (I)

While none of these progressions are identical to that of “Heart Is A Drum,” they all demonstrate a similar inclination for simplicity and emotion, by blending the stability of the diatonic chords with subtle harmonic twists that add character and depth to the music.

Musical Analysis

The simple, repetitive chord progression effectively communicates an introspective, pensive mood that is consistent with the song’s theme. Alternating between the tonic and subdominant chords in this way creates a sense of stability, as the movement between these chords is neither driven by the strong dominant-tonic relationship, nor surprising with any borrowed chords or dramatic modulations. The use of a minor seventh chord—a more emotionally complex sound—adds depth to the subdominant harmony and contrasts subtly with the straightforward major triad on the other chords.

Overall Analysis

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

Style Analysis

This chord progression reflects Beck’s signature blend of styles, drawing from folk, alternative, and even a hint of gospel harmony, with the ii7 chord evoking a gentle soulfulness. The minimalist and reflective nature of this progression is consistent with the introspective lyrical content of the song, and the simplicity of the harmonic structure allows for a more prominent focus on the melody and lyrics.

Chords in the Verse 1 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C