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The chord progression in the hook of Beck’s “Heart Is A Drum” is in the key of C major and follows a strong diatonic harmonic structure, with the exception of the Dm7, which acts as a borrowed chord from the parallel minor (C minor). The progression exudes a feeling of longing and nostalgia, typical of many popular songs in the indie-folk genre.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

Beck – Heart Is A Drum – Verse 1

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C (I) – Dm7 (ii7) – C (I) – C (I) – Dm7 (ii7) – C (I)

Similar Chord Progressions

1. Bob Dylan – “Don’t Think Twice, It’s All Right”
Chord Progression: C (I) – G (V) – Am (vi) – C (I) – D7/F# (V7/ii) – G (V) – G7 (V7)

2. Nick Drake – “Northern Sky”
Chord Progression: C (I) – E7 (III7) – Am7 (vi7) – C/G (I) – Fmaj7 (IVmaj7) – G (V)

3. José González – “Heartbeats”
Chord Progression: C (I) – E (III) – Am (vi) – Fmaj7 (IVmaj7) – G (V) – C (I)

While none of these progressions are identical to that of “Heart Is A Drum,” they all demonstrate a similar inclination for simplicity and emotion, by blending the stability of the diatonic chords with subtle harmonic twists that add character and depth to the music.

Musical Analysis

The simple, repetitive chord progression effectively communicates an introspective, pensive mood that is consistent with the song’s theme. Alternating between the tonic and subdominant chords in this way creates a sense of stability, as the movement between these chords is neither driven by the strong dominant-tonic relationship, nor surprising with any borrowed chords or dramatic modulations. The use of a minor seventh chord—a more emotionally complex sound—adds depth to the subdominant harmony and contrasts subtly with the straightforward major triad on the other chords.

Overall Analysis

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

Style Analysis

This chord progression reflects Beck’s signature blend of styles, drawing from folk, alternative, and even a hint of gospel harmony, with the ii7 chord evoking a gentle soulfulness. The minimalist and reflective nature of this progression is consistent with the introspective lyrical content of the song, and the simplicity of the harmonic structure allows for a more prominent focus on the melody and lyrics.

Chords in the Verse 1 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C