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Related Music Theory Alchemy

“Give Me The Night” by George Benson features a smooth jazz and funk-influenced style. The chord progression in Verse 3 demonstrates a strong use of extended and altered chords, which create a richer texture and interesting harmonic movement. This particular chord progression is reminiscent of other popular songs from the same period and genre, displaying the influence of jazz harmony on contemporary R&B and pop music.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

George Benson – Give Me The Night – Chorus 1

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Chord Progression

Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7

Chord Progression Analysis

Fm7 (i7), Bbm7 (iv7), Cm7 (v7), Dbmaj7 (♭VIΔ7), Fm7 (i7), Bbm7 (iv7), Cm7 (v7), Dbmaj7 (♭VIΔ7)
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Borrowed Chord: Dbmaj7 (♭VIΔ7)
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Similar Chord Progressions

1. Stevie Wonder – “Isn’t She Lovely?”
Chord progression: Am7 (vi7), D7 (V7/ii), Gmaj7 (IVΔ7), Cmaj7 (IΔ7), F#m7 (iii7), B7(♮9) (V7/iii), Em7 (ii7), A7(♮9) (V7/ii)

2. Michael Jackson – “Human Nature”
Chord progression: Dmaj7 (IΔ7), E7 (V7), F#m7 (iii7), Gmaj7 (IVΔ7), A7sus (V7sus), A7 (V7)

These examples showcase similar harmonic structures, where chords from the parallel major or minor key are borrowed or unexpected, creating a rich and sophisticated sound that is a hallmark of the late-’70s and early-’80s musical styles.

Musical Analysis

The progression begins with a i7-iv7-v7, which is a common progression found in minor keys, and it adds a sense of tension and release. However, the Dbmaj7 chord that follows is a borrowed chord from the parallel major key (F major). This chord adds an unexpected major sound to the progression and creates a subtle but effective modulation, resulting in a richer harmonic palette. As the progression repeats, it reinforces this harmonic structure, giving the listener a chance to absorb and appreciate its nuances.

Overall Analysis

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

Style Analysis

“Give Me The Night” is a blend of jazz, R&B, and pop, and its chord progression is emblematic of these genres, with its smooth voice leading, diatonic and borrowed chords, and lush harmonies. The use of the borrowed chord, in combination with the syncopated rhythm and instrumentation of the song, creates a contemporary and polished sound that was popular during the late ’70s and early ’80s.

Chords in the Chorus 1 section of Give Me The Night by George Benson are:

Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7