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Related Music Theory Alchemy

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

Pink Floyd – Wish You Were Here – Verse 1

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Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

C Major (I) – D Major/F# (V/V) – A Minor/E (vi) – G Major (V) – D Major/F# (V/V) – C Major (I) – A Minor (vi) – G Major (V)

The D Major chord in this context functions as a borrowed chord from the parallel Lydian mode:
`D Major (♭II)`

Similar Chord Progressions

1. “Hotel California” by Eagles:
B Minor (i) – F# Major/A# (V) – A Major (VII) – E Major/G# (IV) – G Major (VI) – D Major (III) – E Major (IV) – F# Major (V)
Here, the chords A Major and G Major function as borrowed chords from the parallel Dorian and Mixolydian modes, respectively.

2. “Stairway to Heaven” by Led Zeppelin (Verse):
A Minor (i) – C Major/G (♭III) – G Major (♭VII) – D Major/F# (IV) – A Minor (i) – C Major/G (♭III) – D Major (IV) – F Major (♭VI)
The F Major chord functions as a borrowed chord from the parallel Aeolian mode.

These similar chord progressions contain borrowed chords and/or inversions that create a sense of longing and depth, showcasing the versatility and emotional expressiveness of these techniques in rock music.

Musical Analysis

The verse begins with the tonic chord, C Major, establishing a sense of stability. The progression then moves to a borrowed D Major chord in first inversion, creating tension leading to the relative minor, A Minor. This chord progression (I – V/V – vi) heightens the emotional impact and sets up a smooth transition to the dominant, G Major. The cycle is repeated, transitioning back to the tonic chord (C Major) before ending on the dominant (G Major), leaving a sense of openness and anticipation of the next verse or chorus.

Overall Analysis

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

Style Analysis

“Wish You Were Here” is known for its acoustic guitar-driven sound, meaningful lyrics, and melodic guitar solos. The combination of introspective lyrics and the verse’s chord progression contributes to the overall melancholic atmosphere, making it a timeless representation of 70’s progressive rock.

Chords in the Verse 1 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G