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Related Music Theory Alchemy

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

“Sometimes It Snows In April” is a song by Prince in the pop style. It’s characterized by its use of extended and added note chords, as seen in the chord progression for Verse 3. This advanced harmonic content gives the song a distinct, rich, and complex musical texture, typical of Prince’s style.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

Pink Floyd – Hey You – Verse 3

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Chord Progression

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Emadd9

Chord Progression Analysis

– Emadd9 (iadd9)
– Bm (v)
– Emadd9 (iadd9)
– Bm (v)
– D (VII)
– G (III)
– D (VII)
– C (VI)
– Bm (v)
– Am (`iv`)
– Emadd9 (iadd9)

Similar Chord Progressions

1. “Stairway to Heaven” by Led Zeppelin: Am (i), G (VII), F (`VI`), Am (i), C (III), D (IV), Fmaj7 (`VI^7`), Am (i)
2. “Blackbird” by The Beatles: G (III), Em (i), C (VI), G/B (III`64`), A (`VII`), D (VII), G+ (chromatic passing chord), `A^(-7)↘`, Em7 (i7)

In these examples, both songs feature chord progressions that blend diatonic chords and borrowed chords, creating a sense of depth and evoking emotions that are a hallmark of great songwriting. Additionally, the use of extensions, such as add9 and maj7 chords, contributes to the overall mood and complexity of the music, as seen in “Hey You” by Pink Floyd.

Musical Analysis

The verse starts with an Emadd9 chord as the tonic, giving a sense of minor tonality while adding color with the added 9th. This immediately sets a moody atmosphere. The progression moves to a Bm chord, which is the v chord in E minor. The alternation between Emadd9 and Bm creates a sense of yearning and tension.

The next chord is D major (VII), which is a borrowed chord from E Mixolydian and has a strong pull to the G major (III) chord that follows. This adds some brightness to the progression. Following G major is a return to the D major (VII) chord and a transition to the C major (VI) chord, which gives a sense of a plagal cadence, often found in pop and rock music.

After that, the progression moves to Bm (v) and Am (`iv`), which is a borrowed chord from the E Phrygian scale. This adds some darkness and intrigue to the progression, enhancing the overall moodiness. Finally, the progression resolves back to the Emadd9 (iadd9) chord, giving a sense of closure while still maintaining a lingering tension due to the added 9th.

Overall Analysis

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

Style Analysis

“Hey You” exemplifies Pink Floyd’s unique approach to progressive rock, which often involves blending minor tonalities with added note chords to create an emotive atmosphere. The use of borrowed chords, such as the D major and Am chords, adds interest and emphasizes the unconventional nature of the music, which is a defining feature of progressive rock.

Chords in the Verse 3 section of Hey You by Pink Floyd are:

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Emadd9