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Related Music Theory Alchemy

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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Pink Floyd – Comfortably Numb – Verse 1

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Chord Progression

Bsus2, Bm, A, G, G/F#, Em, Bm, Bsus2, Bm, A, G, G/F#, Em, Bm, Bsus2, Bm, A, G, G/F#, Em, Bm

Chord Progression Analysis

Bsus2 (ii), Bm (i), A (VII), G (VI), G/F# (VI/3), Em (iv), Bm (i), Bsus2 (ii), Bm (i), A (VII), G (VI), G/F# (VI/3), Em (iv), Bm (i), Bsus2 (ii), Bm (i), A (VII), G (VI), G/F# (VI/3), Em (iv), Bm (i)

Borrowed Chords:
`G (VI)` – Borrowed from the B Ionian mode.

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”
Em (i), Bm (v), G (III), G/F# (III/3), Am (iv), D (VII), A (V), E (VI)

2. The Beatles – “While My Guitar Gently Weeps”
Am (i), Am/G (i/3), Am/F# (i/6), Am/F (iv), G (VII), D (IV), E (V), Fmaj7 (VI), G (VII)

3. Led Zeppelin – “Stairway to Heaven”
Am (i), G#dim (iidim), Am7 (i7), Am/G (i/3), D/F# (IV/3), Fmaj7 (VI), Am (i), G (VII)

These examples showcase the use of non-diatonic chords, modal interchange, and similar elements present in the chord progression of “Comfortably Numb” by Pink Floyd. It is essential to note that while there are similarities in the progressions, each artist has their methods and techniques for creating a unique sound.

Musical Analysis

The chord progression of “Comfortably Numb” incorporates various elements that contribute to its distinctive sound. Among these is the frequent use of the Bm and Bsus2 chords, which emphasizes the melancholic atmosphere of the song. The use of Dorian mode-inspired chords like Em (iv), A (VII), and G (VI) also adds to the unique character of the song by creating a slight deviation from the more conventional sound of the B Aeolian mode.

The inclusion of the borrowed G (VI) chord adds color to the overall sound of the progression and helps maintain the listener’s interest throughout the song. The G/F# (VI/3) chord introduces an ascending bass line that adds some movement and direction to the progression.

Overall Analysis

“Comfortably Numb” by Pink Floyd is a classic progressive rock song from their 1979 concept album “The Wall”. It features unique chord progressions, ambient guitar tones, and an atmospheric vocal performance. This particular verse progression is inspired by the Dorian mode, contributing to its melancholic and introspective atmosphere.

Style Analysis

Notably, the chord progression found in “Comfortably Numb” is not fully diatonic, which is typical of progressive rock. The blend of modal and non-modal chords is a hallmark of Pink Floyd’s style, creating an ethereal and contemplative atmosphere that complements their lyrics and themes. The juxtaposition of complex harmonies, along with ambient guitar tones, creates a sense of tension and release throughout the piece.

Chords in the Verse 1 section of Comfortably Numb by Pink Floyd are:

Bsus2, Bm, A, G, G/F#, Em, Bm, Bsus2, Bm, A, G, G/F#, Em, Bm, Bsus2, Bm, A, G, G/F#, Em, Bm