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Related Music Theory Alchemy

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

“Closer” by Nine Inch Nails works within a minimalist musical framework, where a few shiftless chords and tension-filled pentatonic melodies define the song. It inculcates a dark atmospheric mood through its instrumentation and harmony. The repetitive and consistent use of the Cm7 chord creates a haunting, pulsating groove that add to the atmospheric layer of the song.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

Muse – Hysteria – Verse 1

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Chord Progression

Am, E7, Dm, Am, E7, Dm, Am

Chord Progression Analysis

* A minor (i)
* E7 (V7)
* D minor (iv)
* A minor (i)
* E7 (V7)
* D minor (iv)
* A minor (i)

Similar Chord Progressions

1. Radiohead – “Karma Police”:
* A minor (i)
* A minor/Maj7 (i/Maj7)
* G (VII)
* D/F# (IV/6)
* E minor (v)
* E (V)
* A minor (i)

2. The Beatles – “While My Guitar Gently Weeps”:
* A minor (i)
* A minor/G (i/7)
* A minor/F# (i/6)
* A minor/F (i/6b)
* D (IV)
* G (VII)
* C (III)
* E (V)

In both of these similar progressions, the use of A minor as the tonic is consistent, and the chords utilized often borrow from other keys or use unexpected variations, resulting in unique harmonic progressions that generate tension and interest.

Musical Analysis

This chord progression uses the A minor as its tonic (home chord), which sets the dark and moody atmosphere of the song. The E7 is a secondary dominant (V7 of the IV, or D minor), used to increase tension and drive the progression forward. The D minor chord serves as a borrowed chord from the parallel key (A major) and provides a unique and unexpected twist, adding more depth to the harmonies.

Overall Analysis

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

Style Analysis

This progression has a typical rock feel, mostly because of the instrumentation, arrangement, and slightly unusual chords like the D minor borrowed chord. The repetitive pattern creates a sense of familiarity for the listener while still weaving in distinctive characteristics to maintain interest.

Chords in the Verse 1 section of Hysteria by Muse are:

Am, E7, Dm, Am, E7, Dm, Am