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Muse

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

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Muse

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

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Radiohead

The chord progression of Radiohead’s “Everything In Its Right Place” is unique and complex, which contributes to the dreamy, atmospheric, and rich harmonic content prevalent in the song. Its ambiguous key center and shifting tonal centers create a sense of fluidity and unpredictability, commonly observed in Radiohead’s style. The chorus features a blend of diatonic and borrowed chords from parallel keys, which creates a colorful, almost impressionist quality to the progression.

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Weezer

“If You’re Wondering If I Want You To (I Want You To)” by Weezer has a chorus featuring a chord progression in the key of D major. The progression includes chords from both the major and minor scales while still primarily using diatonic chords from D major. The style of the progression is reminiscent of 90s alternative rock, and it finds similarity with other iconic chord progressions in rock music.

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The Rolling Stones

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

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Muse – Cant Take My Eyes Off You – Chorus

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Chord Progression

Dm, G, C, Am, Dm, G, C, A, Dm, G, C, Am, Dm, G, Cmaj7, C7, C6, C, G#, C

Chord Progression Analysis

– The primary harmony consists of a cyclical pattern with the circle of fourths movement (Dm-G-C) and a common vi-IV-I-V progression.
– The A major chord (V/vi) serves as a secondary dominant to pull the progression towards the A minor chord (vi).
– The final chords (Cmaj7, C7, C6) offer a descending chromatic line in the melody, adding tension and release, a common technique in pop and jazz music.
– The Ab major chord (bVI) serves as a borrowed chord from the parallel minor key, injecting a momentary shift in tonality that contrasts with the surrounding diatonic harmony.

Similar Chord Progressions

Musical Analysis

– Muse’s adaptation of “Can’t Take My Eyes Off You” demonstrates a fusion of pop, rock, and jazz elements.
– The chord progression retains the structure and essence of the original song but adds modernity and edge through heavy electric guitar and driving drum beats.
– The presence of chromaticism and the borrowed Ab major chord showcase a subtle jazz influence amidst the otherwise straightforward pop-based harmony.

Overall Analysis

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

Style Analysis

1. The Beatles – “Let It Be”
`C major (I) – G major (V) – A minor (vi) – F major (IV) – C major (I) – G major (V) – F major (IV) – C major (I)`

Chords in the Chorus section of Cant Take My Eyes Off You by Muse are:

Dm, G, C, Am, Dm, G, C, A, Dm, G, C, Am, Dm, G, Cmaj7, C7, C6, C, G#, C

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