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Related Music Theory Alchemy

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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“Landslide” by The Smashing Pumpkins is a subtly complicated piece of music. At first glance, the chord progression may seem simple, but it actually incorporates a number of rich musical techniques that give the song its iconic depth and emotional resonance. The song follows a simple yet powerful chord progression and relies heavily on the interplay between the root C major chord, the G6, and the Am minor. There is a recurring theme of returning to the G6, which creates tension and suggests feelings of melancholy or introspection.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

Jimi Hendrix – Castles Made Of Sand – Verse 3

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Chord Progression

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G

Chord Progression Analysis

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F Major (‘I’), A minor (‘iii’), E minor 7 (‘vi7’), F Major (‘I’), C Major (‘V’), G Major (‘♭III’),
F Major (‘I’), A minor (‘iii’), E minor 7 (‘vi7’), F Major (‘I’), C Major (‘V’), G Major (‘♭III’)

`Borrowed chord: G Major (‘♭III’) from the parallel minor (F minor)`

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Similar Chord Progressions

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1. The Beatles – “While My Guitar Gently Weeps”:

Am (‘i’), Am/G (‘i/♭VII’), Am/F# (‘i/VII’), Am/F (‘i/VI’), Am/E (‘i/V’), Dm (‘iv’), E (‘V’)

2. Radiohead – “Paranoid Android”:

Gm (‘i’), Gm/F (‘i/VI’), Eb (‘♭VI’), Cm/Eb (‘iv6’), D (‘V’), Gm (‘i’), A ((‘♭III’)), Dm (‘iv’), A7/C# (‘V7/V’), D7 (‘V’), Gm (‘i’)

Musical Analysis

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The chord progression in Verse 3 of “Castles Made of Sand” establishes F Major as the tonal center, starting and ending on the F Major chord. The A minor and E minor 7 chords contribute to the smooth movement between chords and follow a diatonic progression.

However, the G Major chord (‘♭III’) is a borrowed chord from the parallel minor key, F minor. This chord creates a surprising shift in the harmonic landscape, momentarily stepping away from the diatonic flow. The constant inclusion of F Major in between the other chords gives the progression a sense of unity and cohesion, allowing for greater musical exploration while keeping the tonal center grounded.

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Overall Analysis

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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Style Analysis

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The chord progression in “Castles Made of Sand” exemplifies Hendrix’s style and influence from blues, rock, and jazz. The use of borrowed chords and chromaticism creates a unique and rich harmonic language. Hendrix’s guitar playing adds syncopation and expressive bends to the chords, which further contributes to the song’s psychedelic and emotional nature.

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Chords in the Verse 3 section of Castles Made Of Sand by Jimi Hendrix are:

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G