Search

Related Music Theory Alchemy

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

Jimi Hendrix – The Wind Cries Mary – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
G Major (V), Bb Major (bVI), Eb Major (bII), E Major (II),
F Major (IV), G Major (V), Bb Major (bVI), Eb Major (bII),
E Major (II), F Major (IV), Eb Major/G (bII), E Major/G# (II),
F Major/A (IV)

`Borrowed chords: B Major (bVII), Bb Major (bVI), and Eb Major (bII)`

Similar Chord Progressions

1. The Beatles – Sexy Sadie
Chord progression: [‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘E’, ‘Ab’, ‘Db’, ‘D’, ‘E’, ‘F#’]

A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
E major (V), Ab major (bI), Db major (bIV), D major (IV),
E major (V), F# major (VI)

`Borrowed chords: G Major (bVII), Ab Major (bI), Db Major (bIV)`

2. Radiohead – Creep
Chord progression: [‘G’, ‘B’, ‘C’, ‘Cm’]

G major (I), B major (III), C major (IV), C minor (iv)

`Borrowed chord: B major (III)`

Musical Analysis

The verse follows a descending pattern with the chords C-B-Bb, adding a tension to the progression. The F major chord acts as a resolution, as the song is based in the key of F. This progression repeats three times.

The next section functions as a pre-chorus, modulating to a new key center with the chords G-Bb-Eb, followed by a major II chord (E) which leads to the chorus. The chorus follows a four-chord pattern as well, alternating between F and G major before landing on the borrowed Eb major chord and modulating back to E major. The final chords leading from E major to F major help transition back into the verse.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Style Analysis

Jimi Hendrix’s unique guitar playing and composition style are evident in this song. The use of borrowed chords creates a sense of tension and release throughout the chord progression. Hendrix’s guitar work and use of various techniques combined with the harmonic and melodic complexities make this a captivating and memorable song.

Chords in the Verse 1 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A