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“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

Jimi Hendrix – The Wind Cries Mary – Verse 1

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Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
G Major (V), Bb Major (bVI), Eb Major (bII), E Major (II),
F Major (IV), G Major (V), Bb Major (bVI), Eb Major (bII),
E Major (II), F Major (IV), Eb Major/G (bII), E Major/G# (II),
F Major/A (IV)

`Borrowed chords: B Major (bVII), Bb Major (bVI), and Eb Major (bII)`

Similar Chord Progressions

1. The Beatles – Sexy Sadie
Chord progression: [‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘E’, ‘Ab’, ‘Db’, ‘D’, ‘E’, ‘F#’]

A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
E major (V), Ab major (bI), Db major (bIV), D major (IV),
E major (V), F# major (VI)

`Borrowed chords: G Major (bVII), Ab Major (bI), Db Major (bIV)`

2. Radiohead – Creep
Chord progression: [‘G’, ‘B’, ‘C’, ‘Cm’]

G major (I), B major (III), C major (IV), C minor (iv)

`Borrowed chord: B major (III)`

Musical Analysis

The verse follows a descending pattern with the chords C-B-Bb, adding a tension to the progression. The F major chord acts as a resolution, as the song is based in the key of F. This progression repeats three times.

The next section functions as a pre-chorus, modulating to a new key center with the chords G-Bb-Eb, followed by a major II chord (E) which leads to the chorus. The chorus follows a four-chord pattern as well, alternating between F and G major before landing on the borrowed Eb major chord and modulating back to E major. The final chords leading from E major to F major help transition back into the verse.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Style Analysis

Jimi Hendrix’s unique guitar playing and composition style are evident in this song. The use of borrowed chords creates a sense of tension and release throughout the chord progression. Hendrix’s guitar work and use of various techniques combined with the harmonic and melodic complexities make this a captivating and memorable song.

Chords in the Verse 1 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A