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Related Music Theory Alchemy

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.

“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

Jimi Hendrix – The Wind Cries Mary – Verse 1

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Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
G Major (V), Bb Major (bVI), Eb Major (bII), E Major (II),
F Major (IV), G Major (V), Bb Major (bVI), Eb Major (bII),
E Major (II), F Major (IV), Eb Major/G (bII), E Major/G# (II),
F Major/A (IV)

`Borrowed chords: B Major (bVII), Bb Major (bVI), and Eb Major (bII)`

Similar Chord Progressions

1. The Beatles – Sexy Sadie
Chord progression: [‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘E’, ‘Ab’, ‘Db’, ‘D’, ‘E’, ‘F#’]

A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
E major (V), Ab major (bI), Db major (bIV), D major (IV),
E major (V), F# major (VI)

`Borrowed chords: G Major (bVII), Ab Major (bI), Db Major (bIV)`

2. Radiohead – Creep
Chord progression: [‘G’, ‘B’, ‘C’, ‘Cm’]

G major (I), B major (III), C major (IV), C minor (iv)

`Borrowed chord: B major (III)`

Musical Analysis

The verse follows a descending pattern with the chords C-B-Bb, adding a tension to the progression. The F major chord acts as a resolution, as the song is based in the key of F. This progression repeats three times.

The next section functions as a pre-chorus, modulating to a new key center with the chords G-Bb-Eb, followed by a major II chord (E) which leads to the chorus. The chorus follows a four-chord pattern as well, alternating between F and G major before landing on the borrowed Eb major chord and modulating back to E major. The final chords leading from E major to F major help transition back into the verse.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Style Analysis

Jimi Hendrix’s unique guitar playing and composition style are evident in this song. The use of borrowed chords creates a sense of tension and release throughout the chord progression. Hendrix’s guitar work and use of various techniques combined with the harmonic and melodic complexities make this a captivating and memorable song.

Chords in the Verse 1 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A