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Related Music Theory Alchemy

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

“House of the Rising Sun” by The Animals is a well-known folk song that has been adapted into a blues ballad with a haunting quality. The verse chord progression features a combination of minor and major chords that contribute to its emotional intensity, while also creating a sense of tension and resolution.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

Jeff Buckley – Hallelujah – Verse 3

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Chord Progression

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am

Chord Progression Analysis

C (I) – Am (vi) – C (I) – Am (vi) – F (IV) – G (V) – C (I) – G (V) – C (I) – F (IV) – G (V) – Am (vi) – F (IV) – G (V) – E7 (III7) – Am (vi)

Borrowed Chord:
“`
E7 (III7)
“`

Similar Chord Progressions

1. Leonard Cohen – “Suzanne”
Chord progression: G (I) – Bm (iii) – G (I) – Bm (iii) – A (IV) – D (V) – G (I) – D (V) – G (I)

2. Sam Smith – “Stay with Me”
Chord progression: Am7 (vi7) – F (IV) – C (I) – Gsus4 (V) – G (V)

3. Oasis – “Wonderwall”
Chord progression: Em7 (iii7) – G (V) – Dsus4 (IV) – A7sus4 (II7)

Musical Analysis

The chord progression in the third verse of “Hallelujah” can be described as a variation of the classic vi-IV-I-V progression, which is commonly heard in pop music and has its roots in classical harmony. The use of the III7 chord (E7) is a noteworthy departure from the standard progression, as it is borrowed from the parallel minor key. This borrowed chord adds an unexpected twist and creates a sense of tension, contributing to the emotional depth of the song.

The use of the I-vi-I-vi progression in the beginning of the verse sets an alternating pattern that emphasizes the relative minor key, giving the piece a bittersweet quality. The perfect cadential motion (IV-V-I) present in the song adds to its sense of forward momentum, assuring a satisfying resolution for listeners.

Overall Analysis

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

Style Analysis

“Hallelujah” draws from various influences, including folk, rock, and gospel music. The simple, repetitive chord progression is reminiscent of traditional folk songs, which often feature uncomplicated harmonic structures. The incorporation of the III7 borrowed chord is a nod to the blues tradition, as it adds an element of harmonic surprise and tension that is commonly found in blues and jazz.

Jeff Buckley’s unique vocal style combines elements of rock and gospel, as he is able to move between soaring falsetto and expressively soulful delivery. This blend of influences and styles creates a truly one-of-a-kind piece.

Chords in the Verse 3 section of Hallelujah by Jeff Buckley are:

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am