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Related Music Theory Alchemy

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

Jimi Hendrix – Hey Joe – Verse 1

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (bVI) – G Major (bIII) – D Major (VII) – A Major (IV) – E Major (I) – E Major (I)

“`
C Major (bVI)
G Major (bIII)
D Major (VII)
A Major (IV)
E Major (I)
E Major (I)
“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:

`A minor (i) – A minor/G (i/♭VII) – A minor/F♯ (i/VI) – A minor/F (i/♭VI) – G (♭VII) – E major (V)`

2. “All Along the Watchtower” by Bob Dylan (popularly covered by Jimi Hendrix):

`C minor (i) – G♭ major (♭VI) – F♭ major (♭V) – B♭ major (V)`

These songs share similarities with “Hey Joe” in terms of incorporating borrowed chords from the parallel minor key and having a cyclic nature to their chord progressions.

Musical Analysis

“Hey Joe” employs the use of borrowed chords from the parallel minor key (E minor). The C Major (bVI) and G Major (bIII) chords are borrowed from the parallel minor, while the D Major (VII) chord is a secondary dominant in relation to the A Major (IV) chord. This combination of borrowed chords, along with the more traditional IV – I (A – E) progression, helps create the unique sound of the song.

Overall Analysis

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

Style Analysis

Jimi Hendrix was known for incorporating various musical styles into his compositions, such as blues, jazz, and rock. “Hey Joe” features a mix of these influences, with the bluesy vocal melodies and the cyclic chord progression giving the song a psychedelic rock vibe. Additionally, Hendrix’s innovative use of guitar techniques, such as bending and vibrato, helped shape the sound of modern rock music.

Chords in the Verse 1 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E