Search

Related Music Theory Alchemy

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

Jimi Hendrix – Hey Joe – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (bVI) – G Major (bIII) – D Major (VII) – A Major (IV) – E Major (I) – E Major (I)

“`
C Major (bVI)
G Major (bIII)
D Major (VII)
A Major (IV)
E Major (I)
E Major (I)
“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:

`A minor (i) – A minor/G (i/♭VII) – A minor/F♯ (i/VI) – A minor/F (i/♭VI) – G (♭VII) – E major (V)`

2. “All Along the Watchtower” by Bob Dylan (popularly covered by Jimi Hendrix):

`C minor (i) – G♭ major (♭VI) – F♭ major (♭V) – B♭ major (V)`

These songs share similarities with “Hey Joe” in terms of incorporating borrowed chords from the parallel minor key and having a cyclic nature to their chord progressions.

Musical Analysis

“Hey Joe” employs the use of borrowed chords from the parallel minor key (E minor). The C Major (bVI) and G Major (bIII) chords are borrowed from the parallel minor, while the D Major (VII) chord is a secondary dominant in relation to the A Major (IV) chord. This combination of borrowed chords, along with the more traditional IV – I (A – E) progression, helps create the unique sound of the song.

Overall Analysis

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

Style Analysis

Jimi Hendrix was known for incorporating various musical styles into his compositions, such as blues, jazz, and rock. “Hey Joe” features a mix of these influences, with the bluesy vocal melodies and the cyclic chord progression giving the song a psychedelic rock vibe. Additionally, Hendrix’s innovative use of guitar techniques, such as bending and vibrato, helped shape the sound of modern rock music.

Chords in the Verse 1 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E