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The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

Tyler, The Creator – Earfquake – Verse 1

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Chord Progression

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

“`
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– G minor 7 (vi7)
– A minor 7 (viiø7)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android” (Verse)
“`
– B Major 7 (IΔ7)
– A minor 7 (viiø7)
– B Major 7 (IΔ7)
– A minor 7 (viiø7)
“`

2. D’Angelo – “Untitled (How Does It Feel)” (Intro)
“`
– A Major 9 (IΔ9)
– G minor 7 (vii7)
– A Major 9 (IΔ9)
– G minor 7 (vii7)
“`

Musical Analysis

Tyler, The Creator’s choice of chords in “Earfquake” creates a harmonically ambiguous structure which lends itself well to the introspective nature of the song. Instead of exploring many different keys or using a traditional diatonic progression, he focuses on building atmosphere through the use of rich, extended chords. The oscillation between Bbmaj7 and Am7 creates a sense of timelessness, and the movement to Gm7 adds some gravity to the progression before resolving back to Am7. The result is a melancholic, emotionally resonant foundation for the song’s vocal melody and narrative.

Overall Analysis

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

Style Analysis

The style of “Earfquake” can be described as a blend of R&B, hip-hop, and neo-soul, resulting in a unique sonic landscape. The use of simple yet sophisticated chord progressions is reminiscent of D’Angelo or Erykah Badu, and the minimal, sampled production style is influenced by hip-hop producers like J Dilla and Madlib. This fusion of genre characteristics with Tyler’s own musical sensibilities marks “Earfquake” as an innovative and memorable entry in modern music.

Chords in the Verse 1 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Gm7, Am7