Music Theory Alchemy

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Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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Radiohead – Motion Picture Soundtrack – Verse 2

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Chord Progression

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2

Chord Progression Analysis

1. G Major (I)
2. Csus2 (IVsus2)
3. Bmadd9 (iii(add9))
4. Csus2 (IVsus2)

This progression continuously oscillates between G major, the tonality established in the piece, and Csus2 (used as a borrowed chord), a suspension that resolves back to G major.

Similar Chord Progressions

1. Coldplay – “Yellow”:
1. B Major (I)
2. F#sus4 (V7sus4)
3. G#m (vi)
4. E Major (IV)

2. U2 – “With or Without You”:
1. D Major (I)
2. A Major (V)
3. Bm (vi)
4. G (IV)

These two examples show a similar approach to the use of suspensions and oscillation between harmonies found in Radiohead’s “Motion Picture Soundtrack”. While they are not an exact match, they showcase the power of blending suspense and emotion through the use of suspended chords and unconventional chord progressions.

Musical Analysis

The use of sus2 chords and the added 9th in Bmadd9 adds a unique and ethereal quality to the song. The oscillation between G major and the suspended chords creates tension, while the Bmadd9 chord adds a layer of complexity to the progression while still giving it a sense of stability. The suspension in the chords, along with the mix of major and minor tonalities, creates a sense of longing and emotion, typical of Radiohead’s atmospheric and melancholic style.

Overall Analysis

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

Style Analysis

Radiohead is known for their experimental and unique approach to songwriting, often using suspended chords and unconventional chord progressions to create a rich, emotional sound. Their harmonic language sometimes borrows from classical music and jazz without adhering strictly to either genre. The result is a distinct sound that is expressive and emotionally evocative, which the chord progression in Verse 2 of “Motion Picture Soundtrack” perfectly exemplifies.

Chords in the Verse 2 section of Motion Picture Soundtrack by Radiohead are:

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2