Music Theory Alchemy

Search

Related Music Theory Alchemy

**
The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

**

Killer Queen’ is one of Queen’s signature songs, abounding with Freddie Mercury’s flamboyant melodic invention, clever harmonies, and theatrical presentation. Its chorus in particular uses an array of chords to create a sophisticated and fluid progression. Before embarking on a note-by-note analysis, we can note that it principally operates in the key of G Major and involves a number of borrowed and secondary chords that bring intrigue and depth to the progression.

**

The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

**

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

Queen – Somebody To Love – Bridge

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘C7’, ‘F’, ‘Fm’, ‘A7’, ‘D’]

Chord Progression Analysis

**

The bridge progression is as follows:

C major (‘IV’)
C7 (‘IV7’, borrowed chord)
F major (‘bVII’, borrowed chord)
F minor (‘bVIIm’)
A7 (V of ‘V’)
D major (‘V’)

“`
[C major (‘IV’)]
[C7 (‘IV7’, borrowed chord)]
[F major (‘bVII’, borrowed chord)]
[F minor (‘bVIIm’)]
[A7 (V of ‘V’)]
[D major (‘V’)]
“`

**

Similar Chord Progressions

**

1. “Let It Be” by The Beatles shares a similar progression in its bridge:

C major (‘IV’)
G major (I’)
A minor (‘II’)
F major IV’)
F minor (‘IVm’)
C major (‘I’)

“`
[C major (‘IV’)]
[G major (I’)]
[A minor (‘II’)]
[F major IV’)]
[F minor (‘IVm’)]
[C major (‘I’)]
“`

2. “Sweet Child O’ Mine” by Guns N’ Roses also has a similar progression in its chorus:

C major (‘IV’)
A minor (VI’)
F major (‘II’)
G major (‘V’)
A major (‘VII’)
D major (bIII’)

“`
[C major (‘IV’)]
[A minor (VI’)]
[F major (‘II’)]
[G major (‘V’)]
[A major (‘VII’)]
[D major (bIII’)]
“`

3. “Creep” by Radiohead has a similar progression in its verse:

G major (I’)
B major (‘III’)
C major (‘IV’)
C minor (‘IVm’)

“`
[G major (I’)]
[B major (‘III’)]
[C major (‘IV’)]
[C minor (‘IVm’)]
“`

Musical Analysis

**

The progression starts with a C major chord, which is the IV chord in the key of G major. It then moves to C7, a chord borrowed from the parallel minor key(G minor), to create tension and prepare for the transition to the next chord, F major, a borrowed bVII chord from the same parallel minor.

Next we move to F minor, a chromatic mediant relationship with the preceding F major, and also a borrowed chord (bVIIm) from G minor. This shift from major to minor is a dramatic turn that adds drama to the music.

We then encounter the A7 chords which serve the role of secondary dominants, a dominant chord of the dominant (D major), essentially creating a mini-modulation to D major. This takes us back to the home key.

**

Overall Analysis

**

“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

**

Style Analysis

**

The use of borrowed chords and secondary dominants in Queen’s “Somebody To Love” mirrors the expressive and dramatic style of their music, a synthesis of rock with symphonic and gospel elements. The movement from the major IV to a borrowed IV7 is a typical blues move, enhancing the soulful quality of the song. Meanwhile, the progression from F major to F minor is a typical move in many gospel and R&B tunes, increasing the emotional depth of the track.

**

Chords in the Bridge section of Somebody To Love by Queen are:

[‘C’, ‘C7’, ‘F’, ‘Fm’, ‘A7’, ‘D’]