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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

Queen – Somebody To Love – Chorus

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Chord Progression

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]

Chord Progression Analysis

Here is the chord progression of the Chorus with the full chord names and their corresponding Roman Numerals:
“`
G (I),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D7 (V7),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D (V)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles also uses an I-V-vi-IV progression in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
“`
2. “I’m Yours” by Jason Mraz maintains the I-V-vi-IV progression in the key of B major:
“`
B (I), F# (V), G#m (vi), E (IV)
“`
3. “No Woman No Cry” by Bob Marley adheres strictly to the I-V-vi-IV progression in its verses and employs it in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
“`
4. “Don’t Stop Believing” by Journey: This song also includes the transition from I to a V with an inverted bass note creating a descending line, much like Queen’s “Somebody to Love.”

It’s important to note that while these songs share a similar progression, the feeling they elicit can be different due to variations in melody, rhythm, instrumentation, and lyrical content.

Musical Analysis

In the chord progression of “Somebody to Love,” the recurring I-V-vi-IV progression is clear. This progression is one of the most popular in pop music. The D/F# (V6) is an inversion that gives a smooth bass line descending from the G (I). The D7 (V7) acts as a dominant seventh chord and creates a strong pull back to the return to G (I). Many transitions between chords also involve common tones, allowing for smoother transitions and voice leading.

Overall Analysis

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

Style Analysis

“Somebody to Love” is a derivative of the blues and gospel styles, with its poignant melodic twists, repeated use of the dominant seventh chord, and progression to the IV chord, which is reminiscent of the move to the IV chord in a standard 12-bar blues progression. The inclusion of the sixth (vi) chord could be seen as an infusion of the relative minor, which adds depth and melancholy to the sound.

Chords in the Chorus section of Somebody To Love by Queen are:

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]