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The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

A Perfect Circle – 3 Libras Acoustic Live – Chorus

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Chord Progression

[‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’]

Chord Progression Analysis

The song appears to be in the key of E Minor. The configuration as presented suggests a repeated sequence of E, C, and F chords during the chorus. This can be broken down into the following:

E Major (‘I’)
C Major (‘VI’)
F Major (‘II’)

Notably, the ‘II’ chord (F Major) seems to be a borrowed chord, since in the key of E minor, the ‘II’ chord is typically diminished (F#dim). Borrowed chords are a technique that can add interest and unexpected twists to a composition.

“` Borrowed Chord: F Major (‘II’) “`

Similar Chord Progressions

1. Radiohead’s “Creep” also uses a similar chord progression (I – III – IV – iv) although with a major key center. It also borrows the ‘iv’ chord from the parallel minor key, again creating an unexpected twist similar to the ‘II’ in “3 Libras.”

Chord progression:
G Major (‘I’) -> B Major (‘III’) -> C Major (‘IV’) -> C minor (‘iv’)

2. The Beatles’ “While My Guitar Gently Weeps” also uses a I – VI – II progression in a minor key, similar to “3 Libras Acoustic Live.”

Chord progression:
Am (‘i’) -> F Major(‘VI’) -> D Major(‘II’)

Please note that exact musical phenomena like borrowed chords and their specific effects can differ between songs due to other factors such as melody, rhythm, instrumentation, or lyrics.

Musical Analysis

The borrowed ‘II’ chord creates a surprise in the harmony, as its Major quality isn’t expected within the typical key of E minor. While II-V-I progressions are very common in jazz, in the rock context (such as A Perfect Circle’s music), they are less standard and thus create a distinctive sound. As this progression repeats, it creates a loop of unresolved tension. This contributes to the overall moody and melancholy character of the song.

Overall Analysis

“3 Libras Acoustic Live” by A Perfect Circle revolves around a rock ballad style with an alternative rock genre. It features distinctive chord progressions and some borrowing from outside of the primary key. The harmonic progression in the chorus is relatively simple but contributes to the melancholic and introspective atmosphere of the song.

Style Analysis

The style of “3 Libras Acoustic Live” is distinguished by its heavy melodic emphasis and its unorthodox harmonic choices. The borrowed chord, and the ethereal, brooding aesthetic it helps to produce, is fitting for A Perfect Circle’s alternative rock style. The cyclical progression and repetition also contribute to a sense of introspection and ongoing struggle, consistent with the lyrical themes of loneliness and alienation.

Chords in the Chorus section of 3 Libras Acoustic Live by A Perfect Circle are:

[‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’]