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Related Music Theory Alchemy

“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

Queen – Love Of My Life – Verse 3

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Chord Progression

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Bm (‘ii’), F#m (‘vi’), G (‘bIII’ – borrowed from the minor scale), D (‘I’), F# (‘V/vi’ – secondary dominant), Bm (‘ii’), F#m (‘vi’), B (‘V’), Cdim (‘viio/vi’ – secondary leading-tone chord), B (‘V’), Em (‘ii’), A (‘V’), D (‘I’)

“`Borrowed chord: G (‘bIII’)“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles: [‘Am’, ‘Am/G’, ‘Am/F#’, ‘Am/F’, ‘Am’, ‘G’, ‘D’, ‘E’, ‘C’, ‘C#dim’, ‘Am/C’, ‘G’, ‘D’, ‘E’]
2. “Hotel California” by The Eagles: [‘Bm’, ‘F#’, ‘A’, ‘E’, ‘G’, ‘D’, ‘Em’, ‘F#’]
3. “Blackbird” by The Beatles: [‘G’, ‘G#dim’, ‘A’, ‘Am7’, ‘G/B’, ‘C’, ‘Cm’, ‘G’, ‘C’, ‘D’]

These songs also use a mix of simple and complex harmony including secondary dominants, borrowed chords, and complex chord voicings, similar to “Love Of My Life”. In particular, they all feature a change in tonal centre at some point in their progression, which is a harmonic trait shared with Queen’s composition.

Musical Analysis

The chord progression has a good mix of stability and instability. It starts in D Major, quickly shifts into the relative minor (Bm), and then uses a borrowed chord from the B minor scale (G) to lead back to D Major. This temporary ‘modulation’ into the parallel minor is indicative of Queen’s use of chromatic harmony to add color and contrast to their music. The use of secondary dominants (F# and B) and secondary leading-tone chord (Cdim) further emphasizes tension and release, creating musical interest.

Overall Analysis

“Love Of My Life” by Queen, especially Verse 3, showcases a mix of simple and complex harmony, with many secondary dominants, borrowed chords, and diminished chords contributing to varying and shifting tonal centres. This makes for an emotional and contextually appropriate progression that fits well with the song’s lyrical content.

Style Analysis

Queen often used complex harmony and secondary dominants in their music, which gives their compositions a dramatic and theatrical quality – a feature that is extremely evident in “Love of My Life”. Their use of diminished chords, borrowed chords, and frequent modulation are hallmarks of their unique, rock-based take on classical harmony.

Chords in the Verse 3 section of Love Of My Life by Queen are:

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]