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Related Music Theory Alchemy

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

“Landslide” by The Smashing Pumpkins is a subtly complicated piece of music. At first glance, the chord progression may seem simple, but it actually incorporates a number of rich musical techniques that give the song its iconic depth and emotional resonance. The song follows a simple yet powerful chord progression and relies heavily on the interplay between the root C major chord, the G6, and the Am minor. There is a recurring theme of returning to the G6, which creates tension and suggests feelings of melancholy or introspection.

Queen – Love Of My Life – Verse 3

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Chord Progression

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Bm (‘ii’), F#m (‘vi’), G (‘bIII’ – borrowed from the minor scale), D (‘I’), F# (‘V/vi’ – secondary dominant), Bm (‘ii’), F#m (‘vi’), B (‘V’), Cdim (‘viio/vi’ – secondary leading-tone chord), B (‘V’), Em (‘ii’), A (‘V’), D (‘I’)

“`Borrowed chord: G (‘bIII’)“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles: [‘Am’, ‘Am/G’, ‘Am/F#’, ‘Am/F’, ‘Am’, ‘G’, ‘D’, ‘E’, ‘C’, ‘C#dim’, ‘Am/C’, ‘G’, ‘D’, ‘E’]
2. “Hotel California” by The Eagles: [‘Bm’, ‘F#’, ‘A’, ‘E’, ‘G’, ‘D’, ‘Em’, ‘F#’]
3. “Blackbird” by The Beatles: [‘G’, ‘G#dim’, ‘A’, ‘Am7’, ‘G/B’, ‘C’, ‘Cm’, ‘G’, ‘C’, ‘D’]

These songs also use a mix of simple and complex harmony including secondary dominants, borrowed chords, and complex chord voicings, similar to “Love Of My Life”. In particular, they all feature a change in tonal centre at some point in their progression, which is a harmonic trait shared with Queen’s composition.

Musical Analysis

The chord progression has a good mix of stability and instability. It starts in D Major, quickly shifts into the relative minor (Bm), and then uses a borrowed chord from the B minor scale (G) to lead back to D Major. This temporary ‘modulation’ into the parallel minor is indicative of Queen’s use of chromatic harmony to add color and contrast to their music. The use of secondary dominants (F# and B) and secondary leading-tone chord (Cdim) further emphasizes tension and release, creating musical interest.

Overall Analysis

“Love Of My Life” by Queen, especially Verse 3, showcases a mix of simple and complex harmony, with many secondary dominants, borrowed chords, and diminished chords contributing to varying and shifting tonal centres. This makes for an emotional and contextually appropriate progression that fits well with the song’s lyrical content.

Style Analysis

Queen often used complex harmony and secondary dominants in their music, which gives their compositions a dramatic and theatrical quality – a feature that is extremely evident in “Love of My Life”. Their use of diminished chords, borrowed chords, and frequent modulation are hallmarks of their unique, rock-based take on classical harmony.

Chords in the Verse 3 section of Love Of My Life by Queen are:

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]