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Related Music Theory Alchemy

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

Radiohead – Creep – Verse 3

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Chord Progression

G, B, C, Cm

Chord Progression Analysis

G major (I) – B major (III) – C major (IV) – C minor (iv)

`The C minor chord (iv) is a borrowed chord from the parallel minor key (G minor).`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (verse): A minor (i) – A Major (I) – C# minor (iv) – G Major (VII)
2. David Bowie – “Space Oddity”: C major (I) – E minor/F major (III / VI) – F major (IV) – F minor (iv)
3. Muse – “Muscle Museum”: E major (I) – G# major (III) – A major (IV) – A minor (iv)

These examples illustrate the use of borrowed chords and unconventional progressions in popular music. They demonstrate that other artists have employed similar techniques to create emotive and captivating songs.

Musical Analysis

The progression starts with the tonic chord (G major), establishing a sense of stability. It then moves to B major, a major chord built on the mediant (III) of the G major scale. This chord is quite unusual in a major key, as it is typically expected to be a minor chord (B minor).

Next, the progression continues to C major, the subdominant (IV) chord. This chord is quite common in popular music and offers some resolution before the final twist in the progression.

The last chord, C minor (iv), is borrowed from the parallel minor key (G minor), which makes it chromatic and adds another layer of tension and unsettledness. This borrowed chord is responsible for the dark, melancholic atmosphere of “Creep.”

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

Style Analysis

“Creep” is generally classified as alternative rock, with its introspective lyrics, distorted guitar sound, and the unique chord progression that defies typical songwriting conventions. The use of borrowed chords, such as the prominent C minor (iv), is a practice that can be traced back to classical music traditions and remains relatively uncommon in modern pop and rock music.

Chords in the Verse 3 section of Creep by Radiohead are:

G, B, C, Cm