Music Theory Alchemy

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“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

Radiohead – Creep – Verse 3

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Chord Progression

G, B, C, Cm

Chord Progression Analysis

G major (I) – B major (III) – C major (IV) – C minor (iv)

`The C minor chord (iv) is a borrowed chord from the parallel minor key (G minor).`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (verse): A minor (i) – A Major (I) – C# minor (iv) – G Major (VII)
2. David Bowie – “Space Oddity”: C major (I) – E minor/F major (III / VI) – F major (IV) – F minor (iv)
3. Muse – “Muscle Museum”: E major (I) – G# major (III) – A major (IV) – A minor (iv)

These examples illustrate the use of borrowed chords and unconventional progressions in popular music. They demonstrate that other artists have employed similar techniques to create emotive and captivating songs.

Musical Analysis

The progression starts with the tonic chord (G major), establishing a sense of stability. It then moves to B major, a major chord built on the mediant (III) of the G major scale. This chord is quite unusual in a major key, as it is typically expected to be a minor chord (B minor).

Next, the progression continues to C major, the subdominant (IV) chord. This chord is quite common in popular music and offers some resolution before the final twist in the progression.

The last chord, C minor (iv), is borrowed from the parallel minor key (G minor), which makes it chromatic and adds another layer of tension and unsettledness. This borrowed chord is responsible for the dark, melancholic atmosphere of “Creep.”

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

Style Analysis

“Creep” is generally classified as alternative rock, with its introspective lyrics, distorted guitar sound, and the unique chord progression that defies typical songwriting conventions. The use of borrowed chords, such as the prominent C minor (iv), is a practice that can be traced back to classical music traditions and remains relatively uncommon in modern pop and rock music.

Chords in the Verse 3 section of Creep by Radiohead are:

G, B, C, Cm