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Related Music Theory Alchemy

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

“Idioteque” by Radiohead is a song with an alternative rock/electronic style, featuring an unusual chord progression that effectively creates a sense of tension and instability while still maintaining a familiar and consonant tonality. This can be attributed to the band’s creative use of borrowed chords and harmonic movement.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

“Today” by The Smashing Pumpkins is in E minor key. The song is from the album Siamese Dream, which most perfectly represents the band’s sound leaning heavily on crunchy guitars and raw power chords. Your requested verse only includes the chord progression ‘Em’, ‘G’, ‘B’ repeated 4 times.

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“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

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Radiohead – Creep – Verse 2

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The full chord names and roman numerals for the verse 2 of “Creep” are as follows:

G major (I) – B major (III) – C major (IV) – C minor (iv)

`C minor (iv)` is a borrowed chord from the parallel minor key (G minor).

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A minor (i) – A major/C# (I/VI) – C# minor (iii) – C major (bIII)

2. Muse – “Unintended”
Chord progression: D major (I) – G minor (iv) – Bb major (VI) – A major (V)

These alternative rock songs also feature a mix of diatonic and borrowed chords, which create a sound similar to “Creep” and showcase the emotional power of such progressions.

Musical Analysis

The chord progression in verse 2 of “Creep” starts with the tonic chord (G major), which then moves in a circle of fifths motion to B major (III). This choice is interesting, as the iii chord rarely appears in pop music progressions. Next, the progression moves a whole step up to the C major chord, which is the subdominant (IV) chord. Finally, C minor (iv) is used as a borrowed chord from G minor, which creates a strong emotional contrast and sets up the return to the tonic chord. The repetition of this progression emphasizes the tension and release that the progression creates.

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

Style Analysis

“Creep” is a song that belongs to the alternative rock genre and was released in 1992 as part of Radiohead’s debut album, “Pablo Honey.” The song features Thom Yorke’s haunting vocals, layered guitar sounds, and poignant lyrics that tap into themes of self-loathing and isolation. The use of the borrowed iv chord in the progression adds to the melancholic and unsettling atmosphere that characterizes much of Radiohead’s music.

Chords in the Verse 2 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm