Search

Related Music Theory Alchemy

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.

**

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

**
“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

**

Radiohead – Creep – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The full chord names and roman numerals for the verse 2 of “Creep” are as follows:

G major (I) – B major (III) – C major (IV) – C minor (iv)

`C minor (iv)` is a borrowed chord from the parallel minor key (G minor).

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A minor (i) – A major/C# (I/VI) – C# minor (iii) – C major (bIII)

2. Muse – “Unintended”
Chord progression: D major (I) – G minor (iv) – Bb major (VI) – A major (V)

These alternative rock songs also feature a mix of diatonic and borrowed chords, which create a sound similar to “Creep” and showcase the emotional power of such progressions.

Musical Analysis

The chord progression in verse 2 of “Creep” starts with the tonic chord (G major), which then moves in a circle of fifths motion to B major (III). This choice is interesting, as the iii chord rarely appears in pop music progressions. Next, the progression moves a whole step up to the C major chord, which is the subdominant (IV) chord. Finally, C minor (iv) is used as a borrowed chord from G minor, which creates a strong emotional contrast and sets up the return to the tonic chord. The repetition of this progression emphasizes the tension and release that the progression creates.

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

Style Analysis

“Creep” is a song that belongs to the alternative rock genre and was released in 1992 as part of Radiohead’s debut album, “Pablo Honey.” The song features Thom Yorke’s haunting vocals, layered guitar sounds, and poignant lyrics that tap into themes of self-loathing and isolation. The use of the borrowed iv chord in the progression adds to the melancholic and unsettling atmosphere that characterizes much of Radiohead’s music.

Chords in the Verse 2 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm