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Related Music Theory Alchemy

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

The Beatles – The Long And Winding Road – Verse 2

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Chord Progression

[‘Bm’, ‘Gsus2/A’, ‘D’, ‘D7’, ‘G’, ‘Gmaj7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’, ‘D7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Verse 2 features the following chord progression:

“`
B minor (ii), Gsus2/A (IV), D major (I), D7 (I7), G major (IV), Gmaj7 (IV), G major (IV), F# minor (iii), B minor (ii), E minor (ii), A major (V), D major (I), D7 (I7), G major (IV), F# minor (iii), B minor (ii), E minor (ii), A major (V), D major (I)
“`

In this progression, the D7 adds a slight tension that is resolved by the following G chord. The use of the major seventh on the G creates a dreamy, smooth sound. The use of the ii, iii, and IV chords adds color and complexity to the sequence, contributing to its mournful tone.

Similar Chord Progressions

The Beatles’ innovative use of complex chord progressions has inspired countless other artists.

For instance, the song “God Only Knows” by The Beach Boys uses a progression with similar complexity and use of inversions:

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A major (I), B minor (ii), E (V), F# minor (vi), C# minor (iii), D major (IV), F#7 (VI7), B minor (ii), E major (V), A major (I), D major (IV), G minor (iv), D major(IV), E major (V), A major (I)
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Likewise, Billy Joel’s “Just the Way You Are” presents a chord sequence of similar sophistication:

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D major (I), Bm7 (vi), Emin7 (ii), Dmaj7 (I), Gmaj7 (IV), D/F# (I), Em7 (ii), Dmaj7 (I), G major (IV), F# minor (vi), Em7 (ii), A7 (V), D major (I), D7 (V7), Gmaj7 (IV), A7 (V7), D major (I)
“`

These examples demonstrate the widespread influence of The Beatles’ innovative chord progressions on popular music and their continued relevance in modern pop songwriting.

Musical Analysis

The musicianship within this track is reflective of the highly developed and mature compositional style of The Beatles’ later years; it includes the use of borrowed chords and added tensions, which were unusual for pop music of the time.

For example, the Gsus2/A chord is an example of a “slash” or polychord, a more sophisticated musical tool often seen in jazz music, which helps contribute to the song’s lush, full sound.

Overall Analysis

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

Style Analysis

The Beatles were known for blending elements of various musical styles, including pop, rock, and more complex elements of classical and jazz harmony. The chord progression of “The Long and Winding Road” displays their knack for creating compelling, emotive music within the pop genre, while also pushing boundaries with more complex musical techniques.

Chords in the Verse 2 section of The Long And Winding Road by The Beatles are:

[‘Bm’, ‘Gsus2/A’, ‘D’, ‘D7’, ‘G’, ‘Gmaj7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’, ‘D7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’]