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“Strawberry Fields Forever” by The Beatles is a song that displays the remarkable depth of harmonic creativity found in their songwriting. The chord progression in the Chorus 4 section of the song is particularly complex. This progressions illustrate the band’s ability to exploit common harmonic devices such as diatonic pivots, modal mixture, and deceptive resolutions, in order to produce beautifully unique and captivating chord sequences.

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

“Wonderwall” by Oasis is in the key of G major and features an effective and memorable chord progression that repeats throughout the song. The progression falls into the indie rock and Britpop genres, highlighting simple, strong harmonies, and incorporates a repeated sequence of Em–G-D–A7sus4 throughout its composition with occasional deviations.

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

The Beatles – Strawberry Fields Forever – Verse 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Below is the chord progression for Verse 3 with their Roman numerals:

“`
E (I),
Emaj7 (Imaj7),
E7 (I7),
F#m (IIIm),
E (I),
D (IV),
D (IV),
E (I),
A (V),
F#m (IIIm),
D (IV),
E (I),
D (IV),
A (V)
“`

Notice that the E7 is a borrowed chord from the parallel minor key (A minor), serving as a secondary dominant to the F#m that follows it.

Similar Chord Progressions

While it’s hard to find an exact match for this progression given its complexity, here are a few examples of similar progressions in their use of borrowed chords, major seventh chords and/or secondary dominants:

1. “God Only Knows” by The Beach Boys:
“`
‘A’,
‘D ‘,
‘A/C’,
‘Bm’,
‘ G ‘,
‘A’,
‘D ‘,
‘A/C
‘,
‘Bm ‘,
‘Bm/A’
“`

“`
I,
IV,
I/III,
II,
VI,
I,
IV,
I/III,
II,
II/V
“`

2. “While My Guitar Gently Weeps” by The Beatles:
“`
‘Am’,
‘Am7/G’,
‘Am6/F’,
‘Am’,
‘D’,
‘G’,
‘C’
“`

“`
Im,
Im7/VII,
Im6/VI,
Im,
IV,
VII,
III
“`

Each of these pieces also has a unique blend of chordal movement that showcases both the songwriters’ creativity and their deep understanding of music theory.

Musical Analysis

The progression starts with a tonic chord (I) followed by a maj7 (Imaj7), creating a dreamy sound that immediately provides an interesting start and draws listeners in. It then hovers around the tonic key, interspersed with an unexpected move to the IV, before returning to the tonic and resolving in the V. This pre-dominant (IV) to dominant (V) to tonic (I) progression is a classic move in Western music, giving a sense of closure.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

Style Analysis

The Beatles were masterful at blending several different musical styles together, and this song is no exception. This chord progression, with its mix of basic triads, seventh chords, and borrowed chords, is indicative of their experimental and genre-defying nature. Their use of borrowed chords is a trait of modal interchange, an aspect of jazz harmony.

Chords in the Verse 3 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]