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Related Music Theory Alchemy

“Strawberry Fields Forever” by The Beatles is an iconic psychedelic rock track marked with rich harmonies and sophisticated musical elements. The song is primarily constructed around the key of A, but it employs several modal mixtures and non-diatonic chords, contributing to its intriguing tonality.

This is a rich verse chord progression where The Beatles use diatonic and borrowed chords to enrich the melody. This progression follows their signature style of pop music with strong melodious and harmonic elements.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

The Beatles – Strawberry Fields Forever – Verse 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Below is the chord progression for Verse 3 with their Roman numerals:

“`
E (I),
Emaj7 (Imaj7),
E7 (I7),
F#m (IIIm),
E (I),
D (IV),
D (IV),
E (I),
A (V),
F#m (IIIm),
D (IV),
E (I),
D (IV),
A (V)
“`

Notice that the E7 is a borrowed chord from the parallel minor key (A minor), serving as a secondary dominant to the F#m that follows it.

Similar Chord Progressions

While it’s hard to find an exact match for this progression given its complexity, here are a few examples of similar progressions in their use of borrowed chords, major seventh chords and/or secondary dominants:

1. “God Only Knows” by The Beach Boys:
“`
‘A’,
‘D ‘,
‘A/C’,
‘Bm’,
‘ G ‘,
‘A’,
‘D ‘,
‘A/C
‘,
‘Bm ‘,
‘Bm/A’
“`

“`
I,
IV,
I/III,
II,
VI,
I,
IV,
I/III,
II,
II/V
“`

2. “While My Guitar Gently Weeps” by The Beatles:
“`
‘Am’,
‘Am7/G’,
‘Am6/F’,
‘Am’,
‘D’,
‘G’,
‘C’
“`

“`
Im,
Im7/VII,
Im6/VI,
Im,
IV,
VII,
III
“`

Each of these pieces also has a unique blend of chordal movement that showcases both the songwriters’ creativity and their deep understanding of music theory.

Musical Analysis

The progression starts with a tonic chord (I) followed by a maj7 (Imaj7), creating a dreamy sound that immediately provides an interesting start and draws listeners in. It then hovers around the tonic key, interspersed with an unexpected move to the IV, before returning to the tonic and resolving in the V. This pre-dominant (IV) to dominant (V) to tonic (I) progression is a classic move in Western music, giving a sense of closure.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

Style Analysis

The Beatles were masterful at blending several different musical styles together, and this song is no exception. This chord progression, with its mix of basic triads, seventh chords, and borrowed chords, is indicative of their experimental and genre-defying nature. Their use of borrowed chords is a trait of modal interchange, an aspect of jazz harmony.

Chords in the Verse 3 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]