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Related Music Theory Alchemy

“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

Let It Happen’ by Tame Impala employs an accessible and effective chord progression, usual in pop/rock music, yet has unusualness due to the usage of the G#sus4 chord, providing a unique tonal flavor and emotional quality. There is a striking use of harmonic contrast and a continuous return and release of tension throughout the song. This creates an immersive cyclical quality, complementing the song’s theme of embracing inevitable moments and experiences.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

The Beatles – Strawberry Fields Forever – Verse 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Below is the chord progression for Verse 3 with their Roman numerals:

“`
E (I),
Emaj7 (Imaj7),
E7 (I7),
F#m (IIIm),
E (I),
D (IV),
D (IV),
E (I),
A (V),
F#m (IIIm),
D (IV),
E (I),
D (IV),
A (V)
“`

Notice that the E7 is a borrowed chord from the parallel minor key (A minor), serving as a secondary dominant to the F#m that follows it.

Similar Chord Progressions

While it’s hard to find an exact match for this progression given its complexity, here are a few examples of similar progressions in their use of borrowed chords, major seventh chords and/or secondary dominants:

1. “God Only Knows” by The Beach Boys:
“`
‘A’,
‘D ‘,
‘A/C’,
‘Bm’,
‘ G ‘,
‘A’,
‘D ‘,
‘A/C
‘,
‘Bm ‘,
‘Bm/A’
“`

“`
I,
IV,
I/III,
II,
VI,
I,
IV,
I/III,
II,
II/V
“`

2. “While My Guitar Gently Weeps” by The Beatles:
“`
‘Am’,
‘Am7/G’,
‘Am6/F’,
‘Am’,
‘D’,
‘G’,
‘C’
“`

“`
Im,
Im7/VII,
Im6/VI,
Im,
IV,
VII,
III
“`

Each of these pieces also has a unique blend of chordal movement that showcases both the songwriters’ creativity and their deep understanding of music theory.

Musical Analysis

The progression starts with a tonic chord (I) followed by a maj7 (Imaj7), creating a dreamy sound that immediately provides an interesting start and draws listeners in. It then hovers around the tonic key, interspersed with an unexpected move to the IV, before returning to the tonic and resolving in the V. This pre-dominant (IV) to dominant (V) to tonic (I) progression is a classic move in Western music, giving a sense of closure.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

Style Analysis

The Beatles were masterful at blending several different musical styles together, and this song is no exception. This chord progression, with its mix of basic triads, seventh chords, and borrowed chords, is indicative of their experimental and genre-defying nature. Their use of borrowed chords is a trait of modal interchange, an aspect of jazz harmony.

Chords in the Verse 3 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]